Scalar's 'additional metadata' features have been disabled on this install. Learn more.
Ghost Metropolis: Los Angeles from Clovis to NixonMain MenuRegimes: Ruling the Los Angeles Region from the Late Pleistocene to the 21st CenturyPlaces and Paths of Los AngelesManna From Hell: Power and Politics from Region to World PowerShadows: Visual Cultures and Mass Media of a Regional and Global PowerSegregated Diversity: The Geosocial Formation of Social Justice in the Late Twentieth CenturyRichard 37th: Nixon, Los Angeles, and World PowerThe American 1989: Los Angeles at the Climax of the 20th CenturyNarrative EssayBibliographies, Filmographies, Gazeteers, IndexesMapping the Past: Theory, Methods, HistoriographyPathCreditsRootPhil Ethingtone37d40405599cccc3b6330e6c4be064cc03ef7a5
Hopps
12018-07-20T03:29:11-07:00Phil Ethingtone37d40405599cccc3b6330e6c4be064cc03ef7a56771Noteplain2018-07-20T03:29:11-07:00Phil Ethingtone37d40405599cccc3b6330e6c4be064cc03ef7a5Although this quotation is widely attributed to Hopps, he presented it as the quote of a friend, during a 2005 talk at the Santa Monica Museum of Art: “A poet friend of mine, a UCLA student from the first Syndell Studio that we had, once said, ‘Art is the possibility of love with strangers.’” The poet’s identity is not known, but it should be noted that Hopps variously attributed the names of his two original galleries, Syndell and Ferus, to deceased people in his past. My impression is that he liked to bury his creations in stories about others.