Ghost Metropolis: Los Angeles from Clovis to Nixon Main Menu Regimes: Ruling the Los Angeles Region from the Late Pleistocene to the 21st Century Places and Paths of Los Angeles Manna From Hell: Power and Politics from Region to World Power Shadows: Visual Cultures and Mass Media of a Regional and Global Power Segregated Diversity: The Geosocial Formation of Social Justice in the Late Twentieth Century Richard 37th: Nixon, Los Angeles, and World Power The American 1989: Los Angeles at the Climax of the 20th Century Narrative Essay Bibliographies, Filmographies, Gazeteers, Indexes Mapping the Past: Theory, Methods, Historiography Path Credits Root

Fine Arts Bibliography

677
A major through-line of Ghost Metropolis is the development of the "fine arts" in Southern California.  The published critical scholarship, exhibition catalogs, and unpublished archival sources for that thread of Ghost Metropolis is gathered here for coherence.

Bastian, Heiner. (2001) Andy Warhol Retrospective. New York, Tate Publishing.

Candida Smith, Richard (1995) Utopia and Dissent: Art, Poetry, and Politics in California. Berkeley: U.C. Press.

Cheng, Meiling. 2002  In Other Los Angeleses: Multicentric Performance Art.  Berkeley: University of California Press.

Coplans, John (1962) “The New Paintings of Common Objects,” Artforum, 1:6, pp. 26-9.

Crimp, Douglas (1984) “Pictures,” originally published in October 8 (Spring 1979), 75-88. Reprinted in in Brian Wallis, Ed., Art after Modernism: Rethinking Representation (New York: The New Museum of Contemporary Art, 1984), pp. 175-187.

Crow, Thomas. (1996) Modern Art in the Common Culture. New Haven: Yale University Press.

de Duve, Thierry “The Monochrome and the Blank Canvas,” in Guilbaut (1990): 244-310.

Gebhard, David, and Robert Winter. (1994) Los Angeles: An Architectural Guide. Salt Lake City: Gibbs Smith Publishers.

Goldstein, Barbara, Ed. Arts & Architecture: The Entenza Years (Cambridge, MA: MIT Press, 1990).

Grenier, Catherine, ed. (2006) Los Angeles 1955-1985: The Birth of An Art Capital Paris: Éditions du Centre Pompidou and Éditions du Panama.

Greenberg, Clement. ([1948] 1986) “The Crisis of the Easel Picture,” Partisan Review (April 1948), reprinted in (1986): 221-225.

Greenberg, Clement. (1961) Art and Culture: Critical Essays. Boston: Beacon Press.

Greenberg, Clement (1986) Clement Greenberg: the Collected Essays and Criticism, Ed. John O’Brien. Vol. 2 Arrogant Purpose, 1945-1949. (Chicago: University of Chicago Press.

Grody, Steve (2006) Graffiti LA: Street Styles and Art. New York: Harry N. Abrams.

Guilbaut, Serge. (1990) Reconstructing Modernism: Art in New York, Paris, and Montreal, 1945-1964. Cambridge, Mass: MIT Press.

Hickey, Dave. (2009) The Invisible Dragon: Essays on Beauty, revised and expanded. Chicago: University of Chicago Press.

Hopps, Walter (1967) "Foreword," to Edward Kienholz, Works From The 1960's: Nov 22, 1967 to January 7, 1968, (Washington, D.C: Washington Gallery of Modern Art.

Hopps, Walter (1993) “A conversation between Walter Hopps, who have known each other since the early 1960s, took place on September 26, 1992,” Ruscha (1993): 97-110.

Hopps, Walter. (1996) Kienholz : A Retrospective New York : Whitney Museum of American Art.

Hopps, Walter (1996) “A Note from the Underworld,” in Hopps 1996, pp. 24-47.

Isenberg, Barbara (2000) State of the Arts: California Artists Talk About Their Work Chicago: Ivan Dee.

Jones, Amelia. (2012)  Seeing Differently: A history and theory of identification and the visual arts. London and New York.  Routledge.

Jones, Kellie, ed. (2011) Now Dig This: Art & Black Los Angeles 1960-1980.  Los Angeles. University of California, Hammer Museum, and Munich, Delmonico Books-Prestel.

Katzman, Louise. (1984) Photography in California, 1945-1980. New York: Hudson Hills Press, Inc.

McCoy, Esther (1979) Vienna to Los Angeles: Two Journeys. Santa Monica: Arts + Architecture Press.

McCoy, Esther (1990) “Remembering John Entenza,” in Goldstein (1990).

McCoy, Esther (2012)  Piecing Together Los Angeles: An Ether McCoy Reader.  Edited and with an introduction by Susan Morgan. Valencia, CA: East of Borneo Books.

McDonough, Thomas . (2001) “Fluid Spaces: Constant and the Situationist Critique of Architecture,” in Catherine de Zegher and Mark Wigley, The Activist Drawing: Retracing Situationist Architectures from Constant’s New Babylon to Beyond (Cambridge, Mass: The MIT Press, 2001), pp. 93-104.

McEvilley, Thomas. “Location and Space in the Kienholz World,” in Hopps (1996), pp. 48-54.

March, Lionel and Judith Sheine (1993) RM Schindler: Composition and Construction, London: Academy Editions.

Mingus, Charles. (1971) Beneath The Underdog: His World as Composed by Mingus. Edited by Nel King. New York: Alfred A. Knopf.

Mulvey, Laura. (1975) “Visual Pleasure and Narrative Cinema,” in Film Theory and Criticism: Introductory Readings. Eds. Leo Braudy and Marshall Cohen. New York: Oxford University 1999: pp. 833-44.

Orozco, Jose Clemente (1945) Autobiografia. México: Ediciones Occidente.

Otis, Johnny (1993) Up-side Your Head (Hanover, NH: University Press of New England.

Plagens, Peter (1974) Sunshine Muse: Contemporary Art on the West Coast. University of California Press.

Plagens, Peter (2000) Sunshine Muse: Art on the West Coast, 1945-1970, University of California Press.

Previn Dory. (1971) On My Way to Where. N.Y.: McCall’s.

Priestly, Brian. (1982) Mingus: A Critical Biography. London: Quartet Books.

Reed, Tom. (1992) The Black Music History of Los Angeles-Its Roots: A Classical Pictorial History of Black Music in Los Angeles from The 1920’s­1970. Los Angeles: Black Accent L.A. Press.

Ruscha, Ed. (1993) Romance with Liquids: Paintings 1966-1969. New York: Rizzoli.

Ruscha, Ed. (2002) Leave Any Information at the Signal: Writings, Interviews, Bits, Pages edited by Alexandra Schwartz. Cambridge, Mass: MIT Press.

Santoro, Gene. (2000) Myself When I Am Real: The Life and Music of Charles Mingus. New York: Oxford University Press.

Sarnitz, August J. (1993) “The Wagnerschule and Adolf Loos,” in March and Sheine (1993): 21-37.

Sarnitz, August J. (2003) Adolf Loos, 1870-1933: Architect, Cultural Critic, Dandy London: Taschen.

Sekula, Allan.  Facing the Music: Documenting Walt Disney Concert Hall and the Redevelopment of Downtown Los Angeles.  Edited by Edward Dimendberg.  Valencia, CA.  East of Borneo Books.

Szarkowski, John (1956) The Idea of Louis Sullivan. Minneapolis: University of Minnesota Press.

Schrank, Sarah (2008) "Nuestra Pueblo: The Spatial and Cultural Politics of Los Angeles's Watts Towers," in Gyan Prakash and Kevin Kruse, Eds, The Spaces of the Modern City Princeton: Princeton University Press.

Schrank, Sarah (2009)  Art and the City: Civic Imagination and Cultural Authority in Los Angeles. Philadelphia: University of Pennsylvania Press.

Smith, Elizabeth A.T. and Michael Darling, eds, (2001) Architecture of R.M. Schindler (Los Angeles: Museum of Contemporary Art.

Smith, Kathryn. (1992) Hollyhock House and Olive Hill: Buildings and Projects for Aline Barnsdall . New York: Rizzoli.

Smith, R.J. (2006) The Great Black Way: L.A. in the 1940s an the Lost African American Renaissance New York: Public Affairs.

South, Will, Marian Yoshiki-Kovinick, and Julia Armstrong-Totten. (2008) Seed of Modernism: The Art Students League of Los Angeles, 1906-1953. Berkeley: Heyday Books.
 
Stansell, Christine. (2001) American Moderns: Bohemian New York and the Creation of a New Century New York: Henry Holt.

Storrer, William Allen (1982) The Architecture of Frank Lloyd Wright: A Complete Catalog. Cambridge, Mass: MIT Press.

Tournikiotis, Panayotis (2002) Adolf Loos. Princeton: Princeton Architectural Press.

Vangelisti, Paul, and Calbi, Evan, eds. (1999) L.A. Exiles: A Guide to Los Angeles Writing 1932-1998. New York: Marsillo Publishers.

Varnedoe, Kirk. (2001) “Campbell’s Soup Cans, 1962.” In Bastian (2001): 40-45.

Villa, Raul Homer, and George and Sánchez. (2005) Los Angeles and the Future of Urban Cultures: A Special Issue of American Quarterly Baltimore: Johns Hopkins Press.

Vure, Sarah. 2000 Circles of Influence: Impressionism to Modernism in Southern California Art, 1910-1930. Newport Beach, Calif: Orange County Museum of Art.
 





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