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Ghost Metropolis: Los Angeles from Clovis to NixonMain MenuRegimes: Ruling the Los Angeles Region from the Late Pleistocene to the 21st CenturyPlaces and Paths of Los AngelesManna From Hell: Power and Politics from Region to World PowerShadows: Visual Cultures and Mass Media of a Regional and Global PowerSegregated Diversity: The Geosocial Formation of Social Justice in the Late Twentieth CenturyRichard 37th: Nixon, Los Angeles, and World PowerThe American 1989: Los Angeles at the Climax of the 20th CenturyNarrative EssayBibliographies, Filmographies, Gazeteers, IndexesMapping the Past: Theory, Methods, HistoriographyPathCreditsRootPhil Ethingtone37d40405599cccc3b6330e6c4be064cc03ef7a5
Acknowledgements
12015-03-16T11:33:05-07:00Phil Ethingtone37d40405599cccc3b6330e6c4be064cc03ef7a56771Noteplain2015-03-16T11:33:05-07:00Phil Ethingtone37d40405599cccc3b6330e6c4be064cc03ef7a5This essay is the product of several years of research in collaboration with students in my classes at USC. I wish especially to thank Cara Palmer, Vivian Yan, Thalia Ertman, and Will Orr for their contributions.
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12015-02-18T21:48:25-08:00Target Tokyo: Los Angeles and Accountability for U.S. War Crimes in Europe and Japan, 1943-1945349image_header2018-09-22T00:29:36-07:00This essay recounts the role and accountability of Los Angeles in the aerial bombardment attacks on civilians during World War II. It is about an appalling episode in the city's rise to global power. The greatest evil of the twentieth century was the mass killing of civilian noncombatants, in genocides that range in form from the Nazi Holocaust, to Stalin's famines, to the UK's terror-bombing campaign against German cities. The United States committed its own version of these atrocities in the firebombing and atomic bombing of Japanese cities from 1944-1945. All cases of mass civilian slaughter demand detailed historical investigation, as international tribunals, truth and reconciliation commissions, and Holocaust and genocide studies have made clear. In this case, an urban history of Los Angeles is also an indictment for a war crime: the deliberate killing of more than one million noncombatant civilians using incendiary and atomic weapons. (Acknowledgments).
This essay is integral to Ghost Metropolis, and also a contribution to to the documentation of a particular U.S. war crime. It argues that Los Angeles contributed to the atrocities committed against the cities of Japan in three direct ways: 1) The fury of Los Angeles's own race wars and spatial apartheid generated a major source of racial hatred. Home to the U.S. mainland's largest Issei and Nisei Japanese communities, Los Angeles's ruling regime practiced extreme race hatred within a California-wide Anti-Japanese movement that dated from at least 1906; 2) Los Angeles took the lead in the production of cinematic propaganda to support a veritable race war. Los Angeles's "pulp fascism," was a major source of American racist ideology that justified aerial genocide in Japan. Specifically and directly, U.S. Government censorship officials, with the collusion of Hollywood writers and producers, knew about, but suppressed the truth about civilian targeting and manufactured a cover-up story; and 3) Los Angeles led in the production of the very warplanes that carried out the attacks on civilians. But this, the most obviously "direct" contribution, was actually the least culpable. Workers have no control over the military uses of the equipment that they produce. The choice of target by commanders is culpable, and the choice to lie about the crime is culpable.
The aerial anti-civilian attacks on Japan were intentional war crimes, committed with malace aforethought and accomplished by many key, indispensable actions that took place in Los Angeles. Southern Californians contributed very significantly to this outcome. If not for the actions of Angelenos, the war crime may not have been committed. As with any crime, its moral after-effects have lingered ever since, haunting the living downstream with upstream injustices.