Deconstructing the Construction: The Female Images in Chinese Detective Films, 2010-2020

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Ying-Hsiu Chou (she/her/hers) joined the University of Washington as a Fulbright Scholar and is now a doctoral candidate in Asian Languages and Literature. Her research interests focus on interdisciplinary and transnational feminist approaches to Chinese popular fiction, films, and magazines, with emphasis on gender, genre, and cultural encounter. Chou's dissertation project, The Deorbiting Planet: The Romantic Male in Modern Chinese Popular Culture, is an interdisciplinary and transnational feminist endeavor to unforget, reunderstand, and theorize the Romantic Male in modern Chinese popular culture as a key to a new, more nuanced understanding of masculinities and gender dynamics in China. She served as a committee member of the UW Taiwan Studies Program’s Land/scaping Taiwan: (Non-)Humans, Environment, and Moments of Encounter Workshop, sponsored by the Chiang Ching-kuo Foundation, and the organizer of the Rethinking East Asia Graduate Research Cluster, sponsored by the Simpson Center for the Humanities. She is a research fellow of the 2022-23 Taiwanese Overseas Pioneers Grant Program, funded by the National Science and Technology Council of Taiwan.

Chou is also a videographic essayist. Her art-based digital humanities project, “Deconstructing the Construction: The Female Images in Chinese Detective Films, 2010-2020,” received the 2020 Digital Humanities Summer Fellowship from the Simpson Center for the Humanities and was awarded the Second Prize for the Best Video Essay at the 2022 Adelio Ferrero Film and Critics Festival held in Alessandria, Italy.

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