Deconstructing the Construction: The Female Images in Chinese Detective Films, 2010-2020Main MenuPremiseA project developed with support from the Simpson Center for the Humanities and the College of Arts and Sciences at the University of Washington as well as the National Endowment for the HumanitiesFilmographyFurther Readings & ViewingsAcknowledgementsContactYing-Hsiu Chou81daa6b7a2932cce4a56f7a8db350716127b17fb
The Videographic Essay
12020-08-31T10:15:42-07:00Ying-Hsiu Chou81daa6b7a2932cce4a56f7a8db350716127b17fb3780160plain2022-10-09T20:48:18-07:00Ying-Hsiu Chou81daa6b7a2932cce4a56f7a8db350716127b17fbTrigger Warning: Some of the films examined in this videographic essay contain sounds and images of violence, death, and/or explicit sexual content. Please be aware that you do NOT have to watch anything that you find disturbing. The inaudible sounds, unwatchable images, unbearable feelings, self-conscious acts of turning away, and the ethics of audienceship and spectatorship indeed serve as an important part of our critical inquiries in this video essay.
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1media/Background - Home.png2020-08-31T09:48:38-07:00Ying-Hsiu Chou81daa6b7a2932cce4a56f7a8db350716127b17fbDeconstructing the Construction: The Female Images in Chinese Detective Films, 2010- 2020Ying-Hsiu Chou52A project developed with support from the Simpson Center for the Humanities and the College of Arts and Sciences at the University of Washington as well as the National Endowment for the Humanitiesbook_splash2023-08-09T16:55:02-07:00Ying-Hsiu Chou81daa6b7a2932cce4a56f7a8db350716127b17fb