Curating in the Continuous Present: A Rehearsal For Gertrude Stein's Objects Lie on a TableMain MenuA Detective Story“Objects on a table and the explanation.” (Stein, Objects, 105)The tableau has come off the wall.How to Write (in and of time)“In doing this thing, I hope to find out this question.” (Stein, How Writing is Written, 156)“Act so there is no use in a center.” (Stein, Tender Buttons, 63)“What is a relation?” (Stein, Objects, 105)“It is by no means strange to arrange.” (Stein, Stanzas in Meditation, 143)Re-Arranging Rhetoric“With which part of the arrangement are they in agreement.” (Stein, How to Write 136)What might the rehearsal of this play mean for exhibition making?path 2A Dramaturgy for Curating Processpath 2Rehearsals for Curating Reversalspath 2And afterwards. Now that is all. (Stein, Composition, 6)essay conclusionWorks Citedbibliographic informationEmelie Chhangur2d057680e6c2808d559b662d85db94eee62664f7
The "Roundtable"
12016-03-22T16:46:55-07:00Emelie Chhangur2d057680e6c2808d559b662d85db94eee62664f783111photo: Kim Simonplain2016-03-22T16:46:55-07:00Emelie Chhangur2d057680e6c2808d559b662d85db94eee62664f7
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12016-02-26T21:16:38-08:00An Objects Banquet, Perhaps6plain2016-03-22T17:34:08-07:00And we rehearse these ideas in a series of programs that explore the sociality of objects and relations; events that we are sure to have lots of fun with funny things:
On Saturday March 19, 2016 we hosted: 10 am – 11:30 am Between Thing and Agent: A Vocabulary for Performing Objects Roundtable featuring Sarah Blake (Humanities, York), Johanna Householder (Art, OCADU), Nic Sammond (Cinema Studies, U of T), Marlis Schweitzer (Theatre, York), and Mark Sussman (Theatre, Concordia). Moderated by Antje Budde (Digital Dramaturgy Lab, Toronto).
Noon-2:30 pm An Objects Banquet Performance meal featuring artists from Rehearsal for Objects Lie on a Table alongside other thinkers and puppeteers, each performing or presenting an object. Food and drink were served.
* Part of Animate Entities: Objects in Performance, curated by Gabriel Levine and sponsored by the Jackman Humanities Institute with support from the Centre for Drama, Theatre and Performance Studies; Department of Art; Department of Visual Studies (UTM); Graduate Architecture, Landscape and Design Students Union; and the Cinema Studies Institute, University of Toronto.