1media/tumblr_m2tqrtAp5u1qzsg71o1_1280.jpg2016-11-17T11:40:29-08:00Pooja Sadhwani6d5c7378faf8d043bfe3ac26a9b4aa4f9403aea2130162plain2016-11-17T12:07:10-08:00Pooja Sadhwani6d5c7378faf8d043bfe3ac26a9b4aa4f9403aea2Historical archives as a whole are created from a compilation of items that remind people of the past. The objects form into keepsakes of a specific time period, and produce reflections and memories. Shinro Ohtake's work with the creation of his multitude of scrapbooks are a prime example of memorabilia, as he took objects from his everyday life and stuck them on a page. This then forms into a story that one can look back and analyse, and also becomes a work of art in itself. However, to what extent are these components culturally appropriated from other works? Often shown in the scrapbooks are newspaper articles, magazine excerpts, photos and art pieces from people that were not Shinro Ohtake himself, yet the artist still used them to create his own scrapbook (his own story and his own art). For the purpose of this project, I will analyse how historical stories and art are appropriated from the work of others to create a new and original archive in itself.
This page has paths:
12016-11-17T11:33:04-08:00Pooja Sadhwani6d5c7378faf8d043bfe3ac26a9b4aa4f9403aea2History of Cultural AppropriationPooja Sadhwani2Marcel Duchamp's Readymades and the Dada Movementplain2016-11-17T12:06:39-08:00Pooja Sadhwani6d5c7378faf8d043bfe3ac26a9b4aa4f9403aea2
Contents of this path:
12016-11-17T11:33:04-08:00Pooja Sadhwani6d5c7378faf8d043bfe3ac26a9b4aa4f9403aea2History of Cultural Appropriation3Marcel Duchamp's Readymades and the Dada Movementplain2016-11-17T12:07:53-08:00Pooja Sadhwani6d5c7378faf8d043bfe3ac26a9b4aa4f9403aea2