How do museums build and unbuild collections?
To guide you through the collecting “rulebook,” we’ll take a tour of the Smith College Museum of Art. By looking at what artworks are on view—and what’s not on view—we hope you will begin to understand how a museum creates its collection.
To read more before diving in, see:
1. How This Works
2. How to Read a Museum Label
3. What is "Public Trust?"
Contents of this path:
Contents of this tag:
- Why Museums Collect
- How Museums Remove Objects from their Collections
- Why Museums Remove Objects from their Collections
- How Museums Collect
- Childe Hassam's "Church at Old Lyme"
- Thomas Wilmer Dewing's "Lady with a Lute"
- "Luster dish, seated king and queen in center"
- Childe Hassam's "Union Square in Spring"
- Dwight W. Tryon's "Dawn"
- J. Alden Weir's "Delft Plate"
- Louis Comfort Tiffany's "Duane Street, New York"
- Lockwood De Forest's "Ramesseum at Thebes"
- Winslow Homer's "Song of the Lark"
- Childe Hassam's "Street Scene, Christmas Morn"
- George Inness's "Morning"
- Betye Saar's "Ancestral Spirit Chair"
- Abbott Handerson Thayer's "Winged Figure"
- Winslow Homer's "Shipyard at Gloucester"
- Thomas Eakins's "In Grandmother's Time"
- Dwight W. Tryon's "The First Leaves"
- William Merritt Chase's "View of the Brooklyn Navy Yard"
- George Inness's "Landscape"
- Louis Comfort Tiffany's "Vase"
- William Merritt Chase's "Woman in Black"
- Elder man entreating young travellers; Detached folio from Persian book on ethics
- Roman "Ewer"
- Robert Swain Gifford's "Old Orchard Near the Sea, Massachusetts"
- Thomas Wilmer Dewing's "Lady with Cello"
- Gimbels Ad
- Toyokuni III (Utagawa Kunisada)'s "Two Women and a Child Hunting Mushrooms"