Carleton Place Heritage ProjectMain MenuThe Carleton Place Roundhouse and the Royal Tour of 1901 | Ashley MowryThe Waterworks: Position in a Cultural Landscape | Keagan FowlerHigh Street Residence | Lauren MaloneySee the town and family histories come together at 207 High Street.Keyes Block | Sean FuA Landmark of Carleton Place's Commercial IdentityAVRC81ff8dad33b7fe77eee9a543209e890531c75438
1950 Fire Plan, Lake Avenue and John St., Carleton Place.
12022-02-22T12:59:58-08:00Keagan Fowler338512480dfac7f8ed9e1b10efd9a411a0c076f3401031https://test-virtual-museum-of-canadian-architecture.pantheonsite.io/node/658plain2022-02-22T12:59:58-08:00ARTH4800B Winter 2021 - Carleton Place BACKUP2021-11Keagan Fowler338512480dfac7f8ed9e1b10efd9a411a0c076f3
Constructed from 1930 to 1940, the RC Harris Water Treatment Plant in Toronto is a prime example of the relationship between civic achievement and architectural style. In his article “The Palace of Purification,” architectural historian Steven Mannell notes that “the heroic confidence of the architectural form and expression of the waterworks speaks of that moment in the 20th century when civil engineering and public works were taken to be great civic deeds, demanding a great civic architecture” (Mannell 1999, 18). Mannell also remarks that “the massing and typology of forms do not attempt explicitly to reveal the operations of the water purification process. The waterworks is legible as a composition of pure architectural types, both figural and supporting, disposed on a fundamental landscape type, the terraced shore” (Mannell 1999, 18). At the RC Harris Treatment Planet, the function of the structure is shrouded using ornamentation and different styles, allowing the building to present itself as whatever the viewer associates with the style in question. Given that these buildings equate grand styles with grand civic deeds, viewers can read the building as something elaborate. The use of ornamentation allows for the viewer to associate the face of these civic structures with the grandeur of the city despite their utilitarian function (Mannell 1999, 19).
