This page has annotations:

1. 1 2016-11-17T16:19:03-08:00 Kailee Stovall e823ac3a96f225f888ac5f74bc901add983ccdcf Detail view of Apartments Kailee Stovall 5 plain 2016-12-06T16:28:40-08:00 Kailee Stovall e823ac3a96f225f888ac5f74bc901add983ccdcf
2. 1 2016-12-06T16:24:36-08:00 Kailee Stovall e823ac3a96f225f888ac5f74bc901add983ccdcf Notice wood used to construct fence Kailee Stovall 4 plain 2016-12-06T16:28:41-08:00 Kailee Stovall e823ac3a96f225f888ac5f74bc901add983ccdcf
3. 1 2016-12-06T16:27:46-08:00 Kailee Stovall e823ac3a96f225f888ac5f74bc901add983ccdcf Look at the wooden boards used to construct the figure's body. Note the "real" dress. Kailee Stovall 2 plain 2016-12-06T16:28:42-08:00 Kailee Stovall e823ac3a96f225f888ac5f74bc901add983ccdcf

Contents of this path:

1. 1 2016-11-15T15:28:50-08:00 Emily Dwyer 5902de6501051e6518d15bf822af5ad8e1c359d9 Photo of Marie Johnson 3 from: An exhibition of artist-teachers : 8 July-21 August 1983, the USC Atelier at Santa Monica Place. media/photo of Marie JPEG.jpg plain 2016-12-06T16:42:55-08:00 Kailee Stovall e823ac3a96f225f888ac5f74bc901add983ccdcf
2. 1 2016-11-15T15:27:26-08:00 Sophia McGinty e2afbd2b58ee1a169801b7d90740468951cc4d86 David Hammons, Untitled, 1969 2 David Hammons, Untitled, 1969, Pigment on board, 36 1/4 x 25 1/8" (92 x 63.8 cm), MoMA. plain 2016-11-15T15:52:29-08:00 Sophia McGinty e2afbd2b58ee1a169801b7d90740468951cc4d86
3. 1 2016-11-15T15:23:32-08:00 Vanessa Todd d44a174f5c0bf51566a0822429f8a0c533cf973b From Left to Right: John Outterbridge, Alonzo Davis, and Dan Concholar (1971) 4 From Left to Right: John Outterbridge, Alonzo Davis, and Dan Concholar (1971) media/photo from LA Object with John Outterbridge, Alonzo Davis, and Dan Concholar (1971).jpg plain 2016-12-09T15:20:14-08:00 Allison Wendt 5f609f9e327122da9a07a273744d9e6d158702fc
4. 1 2016-11-15T15:25:38-08:00 Vanessa Todd d44a174f5c0bf51566a0822429f8a0c533cf973b Timothy Washington and John Outterbridge at David Hammons Selected Works, 1968-1974, California State University Los Angeles - from LA Object 2 Timothy Washington and John Outterbridge at David Hammons Selected Works, 1968-1974, California State University Los Angeles - from LA Object media/Timothy Washington and John Outterbridge at David Hammons Selected Works, 1968-1974, CSULA - LA Object.jpg plain 2016-11-15T16:14:47-08:00 Vanessa Todd d44a174f5c0bf51566a0822429f8a0c533cf973b

This page is referenced by:

• 1 2016-11-15T15:35:56-08:00 Civil Rights Era 11 Close visual Analysis structured_gallery 2016-11-15T16:30:19-08:00 Lorem ipsum dolor sit amet, mazim ignota est in, nostro mentitum an quo, usu cu detracto consulatu. Esse fastidii pro at, mea veritus lucilius et, eos id quas theophrastus comprehensam. Vim illud modus at. Per repudiare dissentiet an, ei affert expetendis percipitur vis. Accumsan invidunt cum eu, vel quas vidisse eu, sale animal regione nec cu. Vidit voluptatum liberavisse ad qui, eos vidisse definitiones no, cu elitr platonem duo.
  
  Eam lorem mandamus at, vel oblique docendi repudiare at, nam ne suas sint dicta. Ei viderer fabellas phaedrum pri, te per mentitum facilisi. Id vix sint illum scripta, no viris quaeque aliquam qui. Eos eu soluta veritus, ius id probatus similique. Viris adolescens disputando et sit, eu soluta facilisi eum.
  
  Per in facilis sadipscing, tibique corpora hendrerit an mel, ignota scaevola per ut. Pro id graecis mediocritatem. Ius et error vocent similique, mei ad melius iudicabit, errem munere usu te. Has ut petentium incorrupte, ne liber consul utroque vis. Dolores commune his in, vis ad democritum definitiones.
  
  Id veri dolore usu. Et pro iriure repudiandae delicatissimi, est putent invidunt volutpat ad. Brute facilisis at pri. Tibique theophrastus quo et. Vis an omnis vivendo, nam ex ceteros offendit expetendis, pro argumentum persequeris no.
  
  Ne duis civibus scribentur eos. Quot solum no sed, ei petentium definitionem quo, purto luptatum nam ea. Ut iusto cotidieque est. Denique assueverit ea duo.
  
  Mei habeo conclusionemque id, eos no modus appareat. No pro exerci dictas scriptorem, utinam recteque an quo, pro in veri suscipiantur. Per eu alterum interpretaris. Cu his tamquam torquatos. Ex vix maiestatis interesset repudiandae. Ad veri nominavi vix. Eros nostro maiorum vix id.
  
  Qui alii dicunt albucius ei. Justo deseruisse necessitatibus duo ei, usu ea nisl decore. Ut integre commune vix, qualisque elaboraret reformidans id usu. Ei lorem possim nam, ne civibus deterruisset pri, epicuri cotidieque ex per. Nec harum simul quaeque ut, an his nostrud legendos. Te homero ridens corpora nec.
  
  Et albucius delectus ius. Ad illud abhorreant nam, ea per malorum alterum. Id esse eruditi eos, ei tota doctus est. At nam tation corpora constituam. Ei mei possim assentior repudiandae, mel at dolorem voluptatibus interpretaris.
  
  Duo ne suscipit postulant gloriatur, cu qui idque antiopam. Possit debitis pri ut, putent phaedrum explicari at duo, semper aperiri epicurei in nam. Duis vivendum interpretaris has ut, ex ius rebum utamur. Ne per iracundia scripserit disputationi, ex sit possit minimum fastidii.
  
  Est legere euismod mediocrem an, vim id brute debet, sit vero vitae te. Cum ei eros errem sanctus. Adhuc posse pro an, veniam utroque perpetua vim ei. Nam ex ferri singulis, ex mei elitr everti option. Has eu tibique repudiare. Ad pri numquam sensibus instructior.
• 1 2016-11-15T15:37:17-08:00 Letter to Marie Johnson Calloway 2 Letter to Marie Johnson Calloway plain 2016-11-15T15:39:02-08:00

  Dear Mrs. Johnson Calloway,

   

  My name is Emily Dwyer. I am a student at Occidental College in Los Angeles, California studying Modern and Contemporary Art with Professor Amy Lyford. Myself and two other students, Kailee Stovall and Jenn Keane, are currently conducting research on the Black Art Exhibition that was displayed at Occidental College in 1971. We are specifically researching you and your works “Window,” “Woman with Flowers” and “Painted Construction.” As a part of our research, we are hoping to locate high-quality images of these three works that were included in the Occidental exhibition. It has been a privilege to study your contribution to the landscape of African American art. I am from San Francisco, and will be back in the Bay Area during our school break from November 19th to November 27th. Kailee and Jenn are also planning on visiting the Bay Area during this time. We would be honored to meet with you at your convenience, to discuss your artistic process and creative development. Thank you for your influence. We hope to hear from you soon!

   

  Sincerely,

  Emily, Kailee, and Jenn