Thanks for your patience during our recent outage at scalar.usc.edu. While Scalar content is loading normally now, saving is still slow, and Scalar's 'additional metadata' features have been disabled, which may interfere with features like timelines and maps that depend on metadata. This also means that saving a page or media item will remove its additional metadata. If this occurs, you can use the 'All versions' link at the bottom of the page to restore the earlier version. We are continuing to troubleshoot, and will provide further updates as needed. Note that this only affects Scalar projects at scalar.usc.edu, and not those hosted elsewhere.
ARTH3810 2019F Class Projects (Publication)Main MenuThe Tent Room at Rideau HallKyle Kreutner, Page 1 of 6The Webley Shacks: Unconventional Furniture Use in the Context of Ceaseless SurveillanceJose BawaganImperial Theater By Munawar MobinKeagan F - CSTM Sound HistoryIntroductionThe Mayfair TheatreSimran S.An Investigation of Hospital Interiors Effect on Patients144 Loretta Avenue North, Aidan MacNaullAidan MacNaull 144 Loretta Avenue NorthWest Block - Canada's New House of Commonsby Devon RudykRideau Street Chapel: The Effects of Relocation on the Experience of an Interiorby Ty FollisThe Church of St. Andrew's OttawaDavid Bastien-AllardMaking the Past Present: Union Station Restoration – A Political Facelift?by Vivian AstroffDelegation of the Ismali ImamatThe National Arts Centre: Reflecting on its Past and PresentSaint Paul University - A Shift in ValuesReem SiageFilm in Ottawa: The Mayfair theatreby Giovanna Maria SangCGM -An Investigation of Hospital Interiors Effect on PatientsThe Chateau LaurierBy Jessica El-GhazalReusable Space: The Senate of Canada Buildingby Syenne HolderNational Gallery of Canada - Seeing the Colonnade Through a Semiological Lens by Ricky TongRickyTHE OTTAWA STATIONEhidiamen Iyamabo, HomePageAVRC81ff8dad33b7fe77eee9a543209e890531c75438
kf - sbd1
1media/SBD1_thumb.jpg2019-12-02T08:25:13-08:00Keagan Fowler338512480dfac7f8ed9e1b10efd9a411a0c076f3358164Figure 1. The Sound by Design exhibit.plain2019-12-03T10:14:41-08:00Keagan Fowler338512480dfac7f8ed9e1b10efd9a411a0c076f3
This page is referenced by:
12019-11-24T17:06:57-08:00Keagan F - CSTM Sound History9Introductionplain2019-12-03T10:52:15-08:00The Royal Commission on National Development in the Arts, Letters & Sciences, in 1951, states that “Apart from the War Museum, Canada has no historical museum to preserve and interpret the traditions of the past” (Massey Commission, 90). Following this, the report discusses the lack of illustration surrounding Canada’s prominent scientific past, noting that “Canada, in the last fifteen years, has become one of the world’s important industrial nations; and a science museum would serve not only to record Canadian achievements in science and technology but as a valuable guide and as a reference for future developments” (Massey Commission, 91). With this discussion the Canada Science and Technology Museum begins to manifest, however, thought was needed in order to create such a museum. The foundations are put forward by J. H. Parkin, Babaian notes the following regarding Parkin: “He saw the museum as having a duel function: to create a ‘visual record’ of Canadian achievements in science and technology, and to provide an educational resource on the history of science and technology for popular and scholarly visitors alike” (Babaian, 4). The museum has evolved over time into what is enjoyed today, exemplary of this growth is the use of sound. This chapter will argue that by way of sonic experience, the Canada Science and Technology Museum has evolved over time to provide more harmonious interiors, culminating in the sound exhibit (Figure 1).
