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ARTH3810 2019F Class Projects (Publication)Main MenuThe Tent Room at Rideau HallKyle Kreutner, Page 1 of 6The Webley Shacks: Unconventional Furniture Use in the Context of Ceaseless SurveillanceJose BawaganImperial Theater By Munawar MobinKeagan F - CSTM Sound HistoryIntroductionThe Mayfair TheatreSimran S.An Investigation of Hospital Interiors Effect on Patients144 Loretta Avenue North, Aidan MacNaullAidan MacNaull 144 Loretta Avenue NorthWest Block - Canada's New House of Commonsby Devon RudykRideau Street Chapel: The Effects of Relocation on the Experience of an Interiorby Ty FollisThe Church of St. Andrew's OttawaDavid Bastien-AllardMaking the Past Present: Union Station Restoration – A Political Facelift?by Vivian AstroffDelegation of the Ismali ImamatThe National Arts Centre: Reflecting on its Past and PresentSaint Paul University - A Shift in ValuesReem SiageFilm in Ottawa: The Mayfair theatreby Giovanna Maria SangCGM -An Investigation of Hospital Interiors Effect on PatientsThe Chateau LaurierBy Jessica El-GhazalReusable Space: The Senate of Canada Buildingby Syenne HolderNational Gallery of Canada - Seeing the Colonnade Through a Semiological Lens by Ricky TongRickyTHE OTTAWA STATIONEhidiamen Iyamabo, HomePageAVRC81ff8dad33b7fe77eee9a543209e890531c75438
12019-11-27T20:59:59-08:00The Supreme Court of Canada6plain2019-12-06T19:47:18-08:00The history of the underwent relocations of the Supreme Court of Canada indicates an emphasis on the Canadian justice system. The Supreme Court of Canada was originally sat in the Railway Committee Room inside the Parliament Buildings from 1876 to 1881. Then the court moves to a small two-story building on Bank Street which no longer exist in 1882. In 1939, the construction of the new Supreme Court building, which the one we see today, started with the cornerstone laid by Queen Elizabeth.
Supreme Court of Canada located on 301 Wellington street above the Ottawa River in downtown Ottawa. It was designed by Ernest Cormier, and the building is renowned for its Art Deco decorative details. Harold Kalman describes the 1939-46 building in his History of Canadian Architecture as a “pristine and dignified example of Modern Classicism” in the best of the tradition practiced by the important Montreal architect. Kalman also notes that Cormier’s originally thought a flat roof was appropriate to this palace of justice, but Mackenzie King’s government required it follow the Chateau-style roof with steep copper slopes and dormers to unify with other government buildings in the capital. The design of the building shows the duality of the justice system in Canada. On the one hand, the design of the building expresses the solemnity, authority, even cold surface of the justice system. On the other hand, it shows the humanistic care to create a space to serve the public by using modern technology and disability access, and carefully arranged space for judges and staffs.
