Digital Exhibits: Ancient Art 203Main MenuAncient ArtTable of ContentsSample Exhibit - Herakles in Greek ArtDepictions of Herakles in Greek ArtAngyal- The Culture of Pre-Columbian TimesThis exhibit displays the important symbols culture during ancient Pre-Columbia.Aversa- Ancient FacesThe collection includes portraits of many Ancient faces made of marble, limestone, bronze and black basalt.Brookes - Sculptures Of The GodsA look at Sculptures of Gods during the classical and hellenistic period of Greek history. This will tell you the stories of the Gods being shown and the growth of realism during this period.CERMINARA-Ancient Greek FigurinesExploration of different Terracotta figurines from ancient GreeceCooke -- Black Figure Art from Ancient GreeceThis page will highlight some works that were made using black figure, which is named for the color of the figures depicted in the art.Costa- Death and AfterlifeFoley - Statues and figures of Greek MythologyMy theme is Greek Mythology in the forms of statues and figuresFowlerHow the human body is depicted through Ancient ArtHarris - Greek AthletesThe Olympian games began in Greek times. These pieces will depict Greek Athletes doing the gamesJoseph - Hellenistic ArtThe Hellanistic art style focuses on realistic, natural human forms. Straying away from the rigid unnatural forms of ancient sculpture styles before it.Lamon- Mythical Creatures in Greek and Cycladic ArtThis exhibit will take a look at how Mediterranean civilizations depicted a few mythical beasts throughout different periods.Leszczynski - Late Minoan, Creature, Covered, GemsA collection of Lentoid gems engraved by Minoan craftsman. Some served a useful purpose as seals. This collection spans the Late Minoan I-II period to the Late Minoan II-IIIA period.Meehan - Ancient Spartan ArtPopular Art and Customs of Sparta and LaconiaNelson - Ancient Egyptian StatuesThis digital exhibit displays a collection of statues from Ancient EgyptRamos- Marble FigurinesFemales figurines are an important part of ancient Greeks art history .Raquet- The Acropolis ReunitedPutting the Parthenon back togetherSHORT - Representations of the Minotaur and His StorySmithKali - Depictions of the Human BodyStarrs--Art of the Trojan WarA sampling of pottery inspired by the mythical Trojan War.Wible - AphroditeMy theme is the representation of Aphrodite through different types of art.Danielle Bennett672675c081461104799d4151a54a1faf0c800419
McDonough - Medusa in Ancient Greek Art
12017-10-13T05:38:41-07:00Alison McDonough3f94deeaa51fb18af9f713e13e2474bef4d9358d213079A look at one of Greek mythology's most feared creaturesplain2017-10-13T06:44:25-07:00Alison McDonough3f94deeaa51fb18af9f713e13e2474bef4d9358d
Introduction
Medusa is one of the most widely recognizable figures from Ancient Greek art. She is most commonly known for having snakes for hair and having the ability to turn anyone to stone upon looking into her eyes. She is depicted in several different literary works, including works by ancient writers and poets such as Homer, Hesiod, and Pindar, just to name a few. Each depiction provides a wide-ranging and diverse picture of the fabled creature. In art, she is also portrayed very differently from one piece to the next. Her face is usually designed as either fierce and grotesque, or feminine and composed. She is most commonly interpreted as an apotropaic symbol used to protect from and ward off any negativity, much like the modern evil eye. She represents a dangerous threat meant to deter other dangerous threats (evil repelling evil). Her role in Greek mythology and art reveals a nuanced and complex character with multiple iterations and implications.
Gorgon Medusa
The head of Gorgon Medusa, also known as a gorgoneion, was a popular theme for terracotta antefixes during ancient times. These antefixes were used as ornamental covers which conceal the ends of tiles along the edge of a roof. This type of antefix was typically found in Sicily and southern Italy. During the Archaic period, Medusa was almost always depicted as a monstrous figure with huge eyes and an unsettling, big smile, which can be seen in this antefix. These exaggerated features and surprisingly well-preserved, fierce colors of black, white and red, allowed viewers to see this piece from the ground, looking up at the roof.