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Endless Question

Youth Becomings and the Anti-Crisis of Kids in Global Japan

dwayne dixon, Author
Skateboarding and Visuality, page 3 of 3
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Skaters in the City: Conflict, Evasion, Production, and Tense Relations

These videos show Lesque skaters--primarily Itoshin and Ishiko--riding in Tokyo, Kyoto, and Nagoya while collaborating with videographers and photographers. The scenes are constructed to show the temporal intensity of duration (how long, how many attempts are made) and the kinds of improvisations around space and other people. Conflict, trespass, and persistence are constant features of these moments.
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Previous page on path Skateboarding and Visuality, page 3 of 3 Path end, return home
Youth Practices    Itoshin    Skateboarding

Related:  Tokyo Skateboard Local,  Collecting the Authentic City: Location Scouting in Cell Phone Photo Libraries,  Lesque Ito Lights Skating,  Lesque Nagoya,  Lesque: Young Men at Work,  Itoshin and photo session at System D buidling, Kyoto,  Busted,  Notes on Taro Hirano and his pool photographs,  Lesque,  Staging the Shot,  Lesque, Japan's Underground Skate Company,  Global youth imaginary and the ethnographic site,  Failure, Skating, and the (Male) Body,  Picturing the City: Ryo, Skate Photographer and How to Get Legit Photos,  Empty Pools: Failed Space/Space to Fail,  Entranced Movement and Moving Truths,  Getting the Make: Making It,  Lesque: Meaning of the Name,  Getting the Make,  Lesque Itoshin putting together a new skateboard,  Lesque and Global Visibility,  Habitus and Scapes,  Surviving Tokyo,  Itoshin ollies into bank, video still,  Lesque Kyoto Subway Bank,  Nike Buys Out Miyashita Park,  Lesque and Definition of "Underground",  Rakers: Mediated, Youth Gladiators on Skateboards at the End of the World,  Getting the Make, Getting the Data: Trance-Action,  Tokyo Skateboard Local,  Lesque: Homosocial Continuity Amid Global Drift,  Counterimaginary,  Itoshin,  Lesque Showing Scrapbook,  Kikokushijo Academy: Reconstituting the Past and Mimicking the Family,  Skateboarding and Visuality,  Skateboard Mei-ku,  skateboard raking: new era of global youth sport,  Lesque: Panic over the Precarious: Risky Futures,  Emiko: Every Tool is a Weapon,  Lesque: The House--Skateboard Family As (Male) Youth Cult,  Situating Youth Studies within Globalization,  Drifting Back: Uncanny Itineraries (Florida-Iwate-Tokyo),  Getting Close to Machine and Method,  Harajuku Drift,  My globalized awareness through skate media and military bases,  Stoked to Ride,  Getting the Make, Getting the Data: A Total Machine on Screen,  Lesque: On a Pacific Rim Periphery of Global Skating,  Tokyo as Neo-Techno-Future and Material Bodies as Counter-Affect,  Conclusion: What is this Place Called? Japan's Kids and Becoming,  Climax as Network 23's attempt to commodify and exploit youth violence is exposed,  Lesque Riding in Car