Sign in or register
for additional privileges

The Walter White Project

Randy Stakeman, Jackson Stakeman, Authors

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

African American buffoons as comic relief in the movies


Hollywood's "white gaze" restricted African Americans to playing the role of menials and serving as comic relief. The Charlie Chan franchise was starting to renew and restructure itself in the 1940's. They added Mantan Moreland (who wasn't in either the first series of Chan movies nor in the books from which the character is drawn) to provide comic relief for the new series.  He was always dressed as a menial either as chauffeur or taxi driver with the appropriate hat as in Clip 1.  His character was supposed to portray the curious but easily frightened childlike figure that Chan could be fatherly to just as he was to his real son as he is in Clip 2. The son was usually grouped with Mr. Moreland. Even though Moreland was clearly much older he acted more childishly.
Comment on this page
 

Discussion of "African American buffoons as comic relief in the movies"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path The NAACP and the Popular Media Images of African Americans, page 3 of 6 Next page on path