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• 1 2015-11-14T23:28:08-08:00 The Hand-Made 4 plain 2015-12-08T09:27:55-08:00 The third form of critical visual analysis explores the ways in which artists actively manipulate cinematic materials onscreen. This constitutes a particular and relatively rare filmmaking trope associated perhaps most specifically with structural filmmaking in which the specific materiality of film is made the subject of a work. However, several filmmakers employ this trope not so much in order to investigate the material conditions of film or video, but to layer differing temporal and semiotic registers. The example for this mode is Harun Farocki’s Images of the World and the Inscription of War (Bilder der Welt und Inschrift des Krieges) (1988).