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1. 1 2020-10-12T11:36:21-07:00 USC Pacific Asia Museum d5c1cdb8968a27aeb8620e4c0c5fc7e36e111c30 Introduction: The Pacific Islands and Paul Jacoulet USC Pacific Asia Museum 22 google_maps 2020-12-24T13:23:22-08:00 USC Pacific Asia Museum d5c1cdb8968a27aeb8620e4c0c5fc7e36e111c30

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• 1 2020-10-12T11:44:51-07:00 Closeness to Nature 19 gallery 2020-12-24T13:02:25-08:00 What is your favorite Jacoulet portrait? How do you interpret the subjects of his prints? What do you think Jacoulet wants you to feel when you see his work?
  
  Jacoulet’s focus on paradisal leisure and adornments evoke this theme of his subjects’ proximity to nature as a sign of “primitiveness”: primitive ways that inferred a natural progression to civilization through colonization. Between his watercolors and prints his subjects shift back and forth between melancholy and mischief as Jacoulet interprets their collective shift into “civilization” at the time of Japanese colonization. Overall Jacoulet provides a snapshot of Western understanding of the Pacific Islanders in the 20^th century and how his art contributed to the sentiment of disappeared communities.
  
  
  
  
  
• 1 2020-10-12T11:42:19-07:00 Naked Bodies 8 plain 2020-12-17T14:21:48-08:00 An important characteristic of many of Jacoulet’s portraits is the nakedness of the people. It brings attention to the unique adornments of his subjects that refer to cultural markers of the islands. It also exoticizes his islander subjects by invoking ideas of “primitiveness” that would disappear in the civilized world. His original watercolors of many of these works would often have sadness reflecting in the eyes of the islanders, premature wrinkles, and gray strands. These elements are Jacoulet’s interpretation of an aging and disappearing people.
  
  What do you find intriguing about Jacoulet’s images?
  
  
  Paul Jacoulet
  Japan, c. 1934
  Woodblock print
  Gift of Mr. and Mrs. Richard W. Child
  1981.117.4
  The adornments on the Yapese women signal cultural meanings. The sennit necklace in the portrait indicated a sexually mature woman eligible for marriage. Her tattoos on her arms and hands suggests she is part of a high caste as she lives in a socially stratified society that included slavery until after World War II.
  
  
  
  
  
  
  
  
  
  
  
  
  
  KAP-KAP NECK ORNAMENT
  Solomon Islands
  Clam shell and coral beads hung on nylon string
  Gift of Jarlan Givelber 
  1995.97.10
  Kap-Kap ornaments are white discs made from a giant clam shell and worn as a suspended pendant, on headbands, or on belts by men of the Solomon and Santa Cruz Islands. They were worn into battle and festivals as a sign of personal wealth and status. The size and quality of the Kap-Kap indicated a person’s social status. This one has incised natural designs possibly derived from fish and bird motifs. Others may also have a decorative layer of openwork tortoise shell. Kap-Kaps are traded throughout Melanesia and still have high value for their beauty.