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1media/Screen Shot 2023-12-01 at 6.49.51 PM.pngmedia/Screen Shot 2023-12-01 at 6.49.51 PM.png2023-11-26T08:54:02-08:00Isabella Villa Real Seabrab274038139e23a611419e5047ffa512436906ae9Is there a 'Refugee Gaze'?86CONSTRUCTING GENDER AND SELFHOOD THROUGH REFUGEE PHOTOGRAPHY – PEYTON BAXLEYimage_header2024-02-01T06:26:51-08:00Isabella Villa Real Seabrab274038139e23a611419e5047ffa512436906ae9
1media/Untitled design-7.pngmedia/Untitled design-15.pngmedia/Untitled design-7.png2023-11-28T10:55:57-08:00Isabella Villa Real Seabrab274038139e23a611419e5047ffa512436906ae9Where Does it Hurt? Archiving the Body in Pain50Srija Umapathyimage_header2024-02-12T06:29:30-08:00Isabella Villa Real Seabrab274038139e23a611419e5047ffa512436906ae9
1media/musical-seamless-background-of-jazz-theme-vector-23036470.jpgmedia/HarlemPhotoGirlsOfTheBand2008.jpg2023-11-26T08:51:50-08:00Isabella Villa Real Seabrab274038139e23a611419e5047ffa512436906ae9Restaging ‘A Great Day in Harlem’: Representations of Gender in Jazz Historiography Through Photographs38Rebecca Zola and Roosmarijn Kloppergallery2024-02-01T06:49:44-08:00Isabella Villa Real Seabrab274038139e23a611419e5047ffa512436906ae9
1media/IMITATIONOFLIFEMIRROR.png2023-11-26T08:52:41-08:00Isabella Villa Real Seabrab274038139e23a611419e5047ffa512436906ae9Does the Gaze Truly See?: Societal Witnessing and Perpetual Invisibility28Téa Vachon Gossimage_header2024-02-01T07:04:36-08:00Isabella Villa Real Seabrab274038139e23a611419e5047ffa512436906ae9