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1media/2019.3.2(1).jpg2020-01-13T13:17:26-08:00Gabrielle Bonillad55329ba7914a9c2cefe7904c6b64ca11312db2a3613020plain2020-02-29T05:57:06-08:00Nancy Um4051576cc4fc4011fb0706d1c68e5004e7744d2dKorea’s alphabet, hangul (한글), was introduced in 1443, in the early Joseon era. Yet, even today scholars use Chinese ideographs for art and literature. This painting pictorializes the Chinese character “trust” (信), a key component of the eight principles of Confucian morality. This character for trust (信) is composed of two parts, one which refers to “people” (人) and the other to “word” (言), placed directly side by side and fused into a single character. This combination indicated that a person’s word needs to be trustworthy. In the painting, these two elements are connected, yet visually differentiated by two distinct images. Hover over the highlighted sections for more information about this pictograph and its parts.
1media/ArtMuseum_TheSurfaceAndTheLine_2020_(temp)_6.jpg2020-01-12T14:21:01-08:00Gabrielle Bonillad55329ba7914a9c2cefe7904c6b64ca11312db2aThe Surface and the Line: Alumni Gifts of Asian ArtGabrielle Bonilla11splash2020-09-04T18:22:25-07:00Gabrielle Bonillad55329ba7914a9c2cefe7904c6b64ca11312db2a
1media/2019.3.2(1)_thumb.jpg2020-08-29T01:19:51-07:00Pictorial Ideograph with Birds519th century | Ink and gouache on woven paper | Gift of John C. Copoulos '73 | 2019.3.2media/2019.3.2(1).jpgplain2020-03-02T15:06:38-08:00