This page was created by Erica Belden.  The last update was by Amanda Luyster.

OLD Art in an Early Global World at WAM: A WAM/College of the Holy Cross Collaboration

What does this ewer tell us about the medieval globe?

Erica Belden, Class of 2026, College of the Holy CrossThis object demonstrates the impact that different cultures have on works of art and methods of production.  The traditional blue and white ceramics that emerged in China in the 14th century significantly influenced trends in Vietnamese art.  The connection to China is demonstrated in Ewer in the Form of a Parrot's blue and white exterior. 
Circumstances such as the "Ming Gap" also contributed to the boom in this type of art during the 15th and 16th centuries.  This time period allowed for Vietnamese ceramic trade to flourish due to a lack of competition from China.  Although Chinese ceramic production was more advanced during the time of this object's creation, its aesthetic similarities are undeniable. 
Additionally, the high levels of ceramic trade across the globe contribute to the idea of the medieval globe.  Objects like Ewer in the Form of a Parrot were transported across Asia and Europe at this time, spreading ceramic techniques and trends.  Portuguese and Dutch influence is seen throughout the 15th and 16th centuries, as they obtained rights to anchor off Macau, China and conduct trade.  Blue and white ceramics from Asia were a major force in trade during this time period.  Because of these qualities, it is clear that Ewer in the Form of a Parrot demonstrates the power and influence of the medieval globe.

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