This page was created by Qianqian Wang. 

OLD Art in an Early Global World at WAM: A WAM/College of the Holy Cross Collaboration

Reclining Cat: Why was this made, and how was it used?

Audrey Wang' 25, College of the Holy Cross. 

Primarily, the sculpture may have been created as an object of art, designed to beautify and add sophistication to its surroundings. Wealthy individuals or patrons of the arts might have displayed such pieces in their homes or gardens as a a way to show their refined taste and cultural stature. Cats, with their enigmatic presence, have been revered in many cultures for their grace, agility, and perceived mystical qualities. In Seljuq Iran, the sculpture could have symbolized protection, wisdom, or prosperity, serving as a talisman or an emblem of good fortune. Its presence in a household or public space might have been believed to bring benevolent influences or ward off evil spirits. The inscriptions and motifs adorning the sculpture suggest that it was also a medium for intellectual or cultural expression. It could have served as a tangible representation of literary themes, philosophical ideas, or religious beliefs prevalent at the time. Such objects often functioned as conversation pieces, sparking discourse among the educated and the elite. It's possible that the sculpture was commissioned to commemorate a specific event, individual, or achievement. In this context, it would serve as a lasting tribute, embodying the values or memories it was meant to preserve. Exquisite artworks like this sculpture were also used as prestigious gifts, exchanged among rulers, dignitaries, and wealthy merchants to cement alliances, honor agreements, or express respect and admiration. Its craftsmanship would have made it a highly valued and symbolic offering.

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