This page is referenced by:

• 1 media/1920.2.jpg 2024-02-15T11:28:41-08:00 The Adoration of the Kings (1920.2) 35 plain 1493376 2024-03-01T15:26:00-08:00 42.951, 12.701 Ryan Carter, Class of 2025, College of the Holy Cross
  
  
  
  
  The artist Ottaviano, called Nelli, packed the foreground with the historic scene of the three kings, known as the three Magi, delivering their gifts to the baby Jesus and his parents, the Virgin Mary and Joseph. The Magi are dressed splendidly in gold and colored silk, and the attendants react with awe as Christ receives his gifts. In the background, a multitude of onlookers, from heavenly angels to shepherds and their sheep, witness the scene. Their resolute gazes and submissive postures suggest great reverence for the Holy Family.  Nelli distinguished himself early in his career by creating frescoes and panel paintings for the public buildings and churches of his native town of Gubbio in central Italy. While the classically informed Renaissance style was popular farther north in Florence, Nelli chose to paint in the ornate International Gothic Style, as manifest in this painted panel.
• 1 2024-02-27T14:19:02-08:00 The Adoration of the Kings: What does this tell us about the medieval globe? 7 plain 2024-03-01T14:25:06-08:00

  Ryan Carter, Class of 2025, College of the Holy Cross
  
  
  
  This painting asks viewers to think of the connections created not just through religion but through the style and medium of painting as well. Although this painting was made during the onset of the Renaissance, it did not reflect the style made famous by the Renaissance. 

  The painting itself is a scene packed with activity that focuses on conveying a narrative rather than spatial logic. The vibrant colors are a result of the egg tempera method of painting, which involves mixing the yolk of an egg with bright pigment. During the Renaissance period the popularity of oil painting was rising, and tempera painting was becoming obsolete. The busy International Gothic style that Nelli was so fond of was also declining in popularity. 
  
  

   

  When commissioned by a powerful family to adorn their palace chapel, Nelli chose the more old-fashioned International Gothic Style and tempera painting technique. The International Gothic Style was created in France and rapidly spread throughout Western Europe. Egg tempera painting was originally developed in ancient Egypt and eventually spread to the Greeks, Romans and throughout all of Europe. While Nelli’s painting at first attracts the eye of a viewer for its courtly and religious subject, it should encourage viewers to also think about how the style and technique used to craft paintings also created connections -- and disconnections -- around the medieval globe.