1media/sarcophagus of constantina_thumb.JPG2024-02-28T19:40:10-08:00Margaret McCracken3054652f3058369832b1aecf248f74c661da681f444042Sarcophagus of Constantina, 354 AD, Wikimedia Commons.plain2024-02-29T12:00:03-08:00Margaret McCracken3054652f3058369832b1aecf248f74c661da681f
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12024-02-15T12:20:57-08:00What does the Floor Mosaic tell us about the medieval globe?23plain2024-03-21T12:52:44-07:00Maggie McCracken, Class of 2025, College of the Holy Cross Religiously Diverse The mosaic's peacocks and grapes have connections both to paganism and Christianity. This shows that the medieval globe was religiously diverse. Later in the medieval period Christ will be depicted explicitly, such as in The Last Judgement painting.Natural Resources & Connections Limestone and other valuable materials were extracted within the Byzantine empire and traded to other places. The medieval globe utilized natural resources and was connected in a way that allowed other areas to benefit from local resources. Diverse & Shifting Roman traditions of mosaics carried over into the Byzantine Empire. The floor mosaic tells us that the empires and styles of the medieval globe were diverse and shifting. Comparing WAM's mosaic to another mosaic showing the Byzantine emperor Justinian I's court, also completed in the 500s, we see that mosaics can also decorate walls, and different materials -- like gold -- could be used for different effects. Motifs The mosaic shows that the medieval globe shared motifs. For example, the late Roman sarcophagus of Constantina, sculpted in the middle 300s CE, shares the mosaic's scrolling vines and strutting peacocks (look at the bottom corners).
Crafts & Arts The medieval world supported craftsmen and artists with both public and private commissions.
