1media/1949.20_thumb.jpg2024-02-15T11:52:14-08:00Qianqian Wang8315ee6bd44b283216e3474d6cd86110cf35f8ae444045Reclining Cat, made in greater Iran, 1100s or 1200s. 1949.20.plain2024-03-01T14:54:45-08:0034.353, 62.204Amanda Luyster17d39c1ecea88fb7ff282fe74a410b89478b8327
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12024-02-15T12:06:31-08:00Why was this ewer made and how was it used?19plain2024-03-21T12:13:38-07:00Erica Belden, Class of 2026, College of the Holy Cross This ewer was made for the transportation of liquids. Ewers from this time period were used to transport wine for drinking and water for bathing. These objects could be used daily for diverse needs. The Ewer in Chicken Shape makes a nice comparison, both in terms of shape and style, to the Worcester Art Museum's ewer. Many portable artworks were made in the shape of animals, such as the Reclining Cat, made in Greater Iran in the 1100s or 1200s. While these household objects do not serve the same function, they share an artistic impulse to mimic the form of a living creature.
1media/1949.20.jpg2024-02-29T11:39:16-08:00Reclining Cat (1949.20)8plain2024-03-01T16:03:46-08:0034.353, 62.204Audrey Wang, Class of 2025, College of the Holy Cross
Cast in medieval Iran, this cat reclines with its forepaws extended, a pose that alludes to its sophistication. Artisans in Iran in the 1100s and 1200s were masters of metal, often using bronze (copper-based alloys). This complex process involved melting and molding the metal, then enhancing it with fine copper inlays for a striking contrast. Such craftsmanship was not just a show of skill but a reflection of the value that society placed on artistic metalwork. Copper is especially noticeable in the cat’s expressive eyes and eyebrows, which stand out for their lifelike quality and detail. The cat turns its head to watch us intently. Its engravings both emulate a domestic cat’s tactile fur and convey a texture of luxury and refinement. This object, likely a household item of significance, also makes us wonder about the role of the cat in medieval Islamic domestic culture. This sculpture suggests the many medieval Iranian households that might be adorned with living cats, whose bright eyes tracked the movements of the humans living alongside them. Its metallic media also suggests the bustling centers of trade in the Seljuq territories of Iran, between which caravans traversed long distances, carrying precious metals among other goods.