1media/Screenshot 2024-02-27 at 5.56.56 PM_thumb.png2024-02-27T14:58:26-08:00Ryan Carterf646c6045ab5d758a53090c97e9e6b93daf8b15b444042Image from Research Gateplain2024-02-29T11:53:01-08:00Ryan Carterf646c6045ab5d758a53090c97e9e6b93daf8b15b
Ryan Carter, Class of 2025, College of the Holy Cross
New styles of painting emerged in Italy during the Renaissance, when Nelli was painting. However, the methods used to create panel paintings usually followed a similar series of steps. Painters would usually layer a ground made of gypsum and glue, an under-drawing, overlapping paint layers made from a mixture of pigments and binding materials such as animal glue, egg, or siccative oil, and a final varnish.
It was also typical of 15th-century Italian panel paintings to use tempera paint, which was a mix of egg, pigment and a water-soluble binder. Many Italian panel paintings of this time also used the technhique of incamottatura, applying a layer of raw canvas to prepare, cover, and make uniform the wooden panel on which it was painted.
