The Book AsMain MenuA Repository of InformationA PerformanceA JourneyJessie CarterA Conceptual Playground for Choice(sagesolar, 2014, “The king of hearts”)A Medium for Universal LanguageA Phenomenal ReadingA Relationship Between Recto and VersoA Vision of the FutureA Repository of LanguageKate Aberman74d96e55dd29b74bef0e0a20c2d79e879fab26ccEmmie Banksd3c00922e17d33400599c8143d1d353f7d36ea7aJessie Cartera6f04f02805133baaf416ab9fcd9a4a2b857b080Deanna Fayed2f0ded76fb9215a15ea7a11b638a892a604843bfGabby Huberta3f266b029aa2bada1c10fd4a31317d37a1bec9dKatherine King6125a92332113f4973e618b8e428aac70a6ed790Carol Leea596a4440954bb8282b044cb431f3d2b8a9a8e75Sarah Richmanbeb66f0b62cd0c55d75ac46cfcf447f52ffe6aa8Matthew Winz5800f51dc1a62f1d2397973f41e4b16a521351b3whitney trettienf2bbb7126b60dc1bee07050dccbd9d30f12d7b2b
Sheherezade
12016-12-06T06:26:07-08:00Deanna Fayed2f0ded76fb9215a15ea7a11b638a892a604843bf135561Janet Zwig (with text by Holly Anderson)plain2016-12-06T06:26:07-08:00Deanna Fayed2f0ded76fb9215a15ea7a11b638a892a604843bf
The book shares the title of the famous story of Sheherezade. The premise follows that the king within the story decides to wed a new woman every day and kill the previous wife each day. Sheherezade saves her own life by telling fascinating stories to the king and stopping halfway through them each night. The king, in his anticipation for the endings of the stories, spares her life each day.
The artist book sharing this title takes the form of a traditional codex. It is presented in a flip book format. On the verso side of the book is an animation (when the reader flips the pages) of a woman repeatedly removing her coat. On the recto side of the book, the animation follows a cyclical process of zooming into the text to reveal new texts within the ink marks.
The illustration and corresponding context of the verso and recto serve as a remediation of the story. The presence of recto and verso afford two contrasted perspectives. In addition, the action of flipping the page – an interactive feature/experience attributed to the recto/verso form – mimics the anticipation that is reflected in the original telling of the story. The flipping of left to right and of right to left further emphasizes this notion of recto/verso.
Again, we see the form in question assist the book to relate to function.