The Book AsMain MenuA Repository of InformationA PerformanceA JourneyJessie CarterA Conceptual Playground for Choice(sagesolar, 2014, “The king of hearts”)A Medium for Universal LanguageA Phenomenal ReadingA Relationship Between Recto and VersoA Vision of the FutureA Repository of LanguageKate Aberman74d96e55dd29b74bef0e0a20c2d79e879fab26ccEmmie Banksd3c00922e17d33400599c8143d1d353f7d36ea7aJessie Cartera6f04f02805133baaf416ab9fcd9a4a2b857b080Deanna Fayed2f0ded76fb9215a15ea7a11b638a892a604843bfGabby Huberta3f266b029aa2bada1c10fd4a31317d37a1bec9dKatherine King6125a92332113f4973e618b8e428aac70a6ed790Carol Leea596a4440954bb8282b044cb431f3d2b8a9a8e75Sarah Richmanbeb66f0b62cd0c55d75ac46cfcf447f52ffe6aa8Matthew Winz5800f51dc1a62f1d2397973f41e4b16a521351b3whitney trettienf2bbb7126b60dc1bee07050dccbd9d30f12d7b2b
1media/IMG_4533.JPG2016-12-06T10:29:10-08:00Break Down Inventory, Michael Landy6image_header2016-12-29T17:22:05-08:00Michael Landy spent three years compiling a detailed inventory of all of his possessions - everything from his car to dead batteries and candy wrappers. These were organized into ten categories: artworks, clothing, equipment, furniture, kitchen, leisure, motor vehicle, perishables, reading material, and studio material. When he was finished, he took over a department store that had gone out of business and, in 2001, systematically and publicly destroyed all of these belongings in a sort of exhibitionist dis-assembly line. The following year, he published the inventory of his belongings as a book.
As with Take Care of Yourself, the most compelling thing about Break Down Inventory is the way it navigates the tensions between book and performance. Would either the book or the performance be as effective without the other? In some ways, the book and performance articulate two different ideas about consumerism - one emphasizing the quantity, the other calling into question the quality, or value. The best way to get to what Landy truly intended may be to take both components together. Furthermore, the inventory itself could be argued to have come before the performance, and even dictated it. However, the book as we now encounter it is decidedly a relic, or even a simulacrum, of this same performance.