TAPS1330 Archiving the Ephemeral: Celebrating Ten Years of the Bryson CollectionMain MenuIntroductionby Julie StrandbergDenishawn School Catalog (cover)Denishawn: The Ruth St. Denis School of Dancing and its related arts (third year — 1917)ProjectsAcknowledgmentAoife Cahill406652681700934239b58f3e951c37649de1916cAlec Hyunmook Choi26e9f5136451e9994699014902f0508fe98d7e77Lily Edgerton83ea3ff74172af751a27d1f6e8012a8c003256d2Molly Littman2e4cc15bb25f2f9763971ef03f293758fdfb57f4Emma Lopez2ed417fe688565cfb2ae9e2b3c7272fb77209252Emily Swenson189db03334c8ebbb2b5cd20f1b91b1a31c167142Julie Adams Strandbergc19fd06e638719690b36e6e07c1eb8c8b8226ae9
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1media/charlsanddoris.jpg2019-10-24T08:00:23-07:00Charles Weidman (Alec)4plain2019-10-31T08:13:51-07:00here are a few words
Charles Weidman was a student at the Denishawn, but then he left to create his own unique style of dance; his technique revolved around the idea of gravity: movements that involved falling or balancing against gravity. His vocabulary of movements involved floor work, jumping, and falling.