Soundscape Composition as Environmental Activism and Awareness: An Ecomusicological ApproachMain MenuAbstractIntroduction“What Is Music?”: The Historical Roots of Soundscape CompositionNew Noise, New Sounds: The Industrial and Electrical RevolutionsThe World Soundscape Project and the Legacy of SchizophoniaRejecting the Idealism of the WSP: Towards a Postmodern ApproachChapter Two: The Mediating Role of TechnologyPerspectivism: Exploring Nonhuman Spatio-temporal ScalesHearing the Unheard: Forgotten VoicesFamiliar and Foreign: Cultivating a “Glocal” MindsetFrom Specialization to Democratization: The Age of the AmateurChanging Roles: The Value of the ListenerHarnessing the Imagination: Between the Real and AbstractOpen Mind: Towards the Interdisciplinary and MultimodalThe Search for Definition: Beyond CategorizationConclusion: Towards a Qualitative KnowingWorks CitedMegan Reich9858d76d7e90b00d65492e3fcae9efc0de402706
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