Soundscape Composition as Environmental Activism and Awareness: An Ecomusicological Approach
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Abstract
Introduction
“What Is Music?”: The Historical Roots of Soundscape Composition
New Noise, New Sounds: The Industrial and Electrical Revolutions
The World Soundscape Project and the Legacy of Schizophonia
Rejecting the Idealism of the WSP: Towards a Postmodern Approach
Chapter Two: The Mediating Role of Technology
Perspectivism: Exploring Nonhuman Spatio-temporal Scales
Hearing the Unheard: Forgotten Voices
Familiar and Foreign: Cultivating a “Glocal” Mindset
From Specialization to Democratization: The Age of the Amateur
Changing Roles: The Value of the Listener
Harnessing the Imagination: Between the Real and Abstract
Open Mind: Towards the Interdisciplinary and Multimodal
The Search for Definition: Beyond Categorization
Conclusion: Towards a Qualitative Knowing
Works Cited
Megan Reich
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