Shifting Futures: Digital Trans of Color Praxis

The Flicker



The flicker. Created by the cut, but also the computer generated imagery of the morph. The android reaches their hand up to their ear, inputs a code, and flickers from white to black. They could said to be hacking the black and white binary. Yet this is more than a binary crossing, as they are flickering from a white artificial skin of plastic or metal, to a human brown skin of an african-american woman. The crossing is in multiple directions, and also includes a slight movement, a slight change of shape. The scene is quick, a few seconds at the beginning of the introductory video for Janelle Monae’s extensive three part concept album, Metropolis, a post-apocalyptic science fiction “emotion picture”. What is important here, though, is not the states before or after the flicker, but the ability to change color, to modulate visibility.

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  1. Modulating Visibility: Passing, Camouflage and Disability in Janelle Monae's "Metropolis" micha cárdenas

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