Bifolium
1 2022-10-20T21:37:28-07:00 Elizabeth Palomino 97f5cc41f822c98012020ee3f1612be0c7950d52 40636 1 plain 2022-10-20T21:37:28-07:00 Elizabeth Palomino 97f5cc41f822c98012020ee3f1612be0c7950d52This page is referenced by:
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MS C189 Inner Cover
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Inner Cover
Text: “De misericordia” (On Mercy)
Author: John Chrysostom
Script: late Caroline minuscule
Description:- Two columns of 38 lines, ruled in drypoint
- The upper margin of the bifolium (now the fore-edge turn-in of the front cover) is trimmed
- No loss of text
John Chrysostom
(c.347 - 407 C.E.)
Born: Antioch, Turkey
Died: Comana, Turkey
“De misericordia”
The text on the inner cover of MS C189 is from a sermon credited to John Chrysostom, the Archbishop of Constantinople at the end of the fourth and early fifth century. He was called Chrysostom or “golden mouth'' due to his impactful messages. The sermon on MS C189 is titled, “De misericordia” (On Mercy). It begins, “Tria sunt quae in misericordiae opera” (“There are three things in the works of mercy… ”) This opening passage is not visible on the fragment.
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MS C189 Outer Cover
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Outer Cover
Text: Sententiae (Sentences)
Author: Isidore of Seville
Script: late Caroline minuscule
Description:- Two columns of 38 lines, ruled in drypoint.
- The repurposed parchment bifolium used for the cover likely comes from a homiliary, dated to the second half of the eleventh century.
- The cover is warped due to extensive water damage.
- The cover and the flyleaves are cockled.
- The cover and flyleaves have minor bookworm damage.
- Trimmed upper margin
- There seems to be no loss of text due to trimming
- Most of the text is still readable on the cover and the turn-ins.
Isidore of Seville
( c. 560 - 636)
Born: Cartagena, or Seville, Spain
Died: Seville, Spain
Sententiae
Instead of scraping away the text to reveal a blank surface, the scriptorium preserved the text as a protective wrapping. The parchment leaf that forms the outer cover (the recto side of the first of the two folios) likely comes from a homiliary, dated around the second half of the eleventh century. A homiliary, is a set of short texts and sermons on a moral theme. The cover contains text from Isidore of Seville's Sententiae, Book 10.11 "De angelis" (On the Angels.) Isidore of Seville’s Sententiae was popular and there are many copies from the Middle Ages. MS C54 is another manuscript at the Spencer Research Library that contains the Sententiae. -
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MS C189 Textblock
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Beyond the cover
Textblock
Language: Latin
Country: Italy?
Century: 14th?
Date: c. 1301 and 1400
Script: Gothic rotunda
Scribe:- Written by a Robertus: “Robertus nomine scripsit” -- colophon, folio 34r.
Figurative Decoration:- Drawings of fish and birds in lower margins on folios 9r, 10v, 11r, 20v
- 6- line initial C in blue and red on folio 1r
- 2- and 3-line initials in two shades of red, some of which are embellished with pen decorations in blue or brown
- Paragraph marks in blue and red or just red
- Title "p[er] germinias" in red capital letters on upper margin of folios 19v-21r
- Spaces left for 2-, 3- and 5-line initials on folios 5r, 5v, 6r, 6v, 7r, 8r, 11v, 16v, 17r, 18r, 18v, 19r, 19v, 20r, 22v, 25r, 27r, 27v, 28v, 29r, 29v, 30v, 31v, 32r, 32v, 33r
- Guide letters visible on most folios in the upper left corner of the page
Description:- Collection of works by Aristotle and commentaries on Aristotle's works
- 34 leaves : parchment, illuminations ; 211 x 153 (127 x 77) mm; bound: 215 x 160 mm
- ff. 1- 34v - Contemporary binding made from reused parchment bifolium
- Unfoliated, quarto manuscript
- 31 long lines ruled in lead.
- Front flyleaves
- Neumatic notation.
- Minor imperfections and signs of early repairs on the manuscript leaves.
- Ink is abraded, with some text illegible.
- Tears and holes with loss of text on several folios.
- Corrections, overwriting and annotations, including the use of trigons by at least two contemporary hands, one of which is probably the scribe.
- Later annotations, especially on folios 19r-33r, by at least two hands.
- Some of the annotations on the upper margins are lost due to damage to the parchment.
The text block of the manuscript was produced together as a single unit. It does not look like there are any missing leaves or that there were more gatherings either in the beginning or at the end.
Contents:- Folios 1r-8r: Isagoge (Introduction to Categories), written by Porphyry of Tyre, translated by Boethius:
- Folios 8r-19r: Praedicamenta, also known as Categoriae, written by Aristotle, translated by Boethius
- Folios 19r-27r: Perihermenias, also known as De interpretatione written by Aristotle, translated by Boethius
- Folios 27r-34r: Liber sex principiorum
- Folio 34v: blank
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MS C189 Introduction
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Medieval Recycling
During the middle ages, manuscript pages were made from parchment, or in some cases vellum. Parchment is a writing surface made from stretched sheep or goatskin, whereas vellum is made from calfskin. Vellum is a smooth, even writing surface that surpasses parchment in both quality and cost. Parchment is sturdy but it is also difficult and costly to produce. Older manuscripts were sometimes recycled for the production of new books. A scraping device such as pumice was commonly used to erase text and reuse pages, this creates what is known as a palimpsest. Occasionally, bookbinders used fragments of manuscripts as book spines. In some cases, old manuscript leaves were cut and folded to fit the cover of a new book.
Don’t judge a book by its cover
The cover, the front flyleaves and the back flyleaves of MS C189 are made up of parchment leaves from three different manuscripts. This manuscript is placed inside fragments of two manuscripts and then wrapped with a third one. Parchment was folded in half to produce a limp binding, this is known as a bifolium. Two folios (singular pages) were folded in half to form flyleaves at the front and back of the manuscript. Flyleaves act as barriers, protecting the main text from pest damage such as worming.
The parchment cover is attached to the book block by exposed leather split laces. The split laces exit through single slits and each lace returns through two separate slits to create a V shape. The split laces are mostly intact. All edges of the cover are large enough to allow for turn-ins. The upper margin of the bifolium was trimmed to form what is now the fore-edge turn-in for the front cover. The cover has lapped miters; the fore-edge turn-ins lie on top of the head and tail turn-ins at the corner of the miters.