12019-04-17T18:08:53-07:00Nikita Guedj26e5e59f5c86b075d03e3719dbc6b89b70271c8f335204plain2019-04-17T18:20:28-07:00Nikita Guedj26e5e59f5c86b075d03e3719dbc6b89b70271c8f"On se demande ce qu'il se passe et pourquoi on l'apprécie pas forcément en fait" made me think of a remark by Coeckelbergh (2017, 295): “First, there is experience; first, there is the encounter. At the moment when one starts theorizing and deliberating about the status of the process and the product, one’s view is already framed by experience. The theoretical exercise of thinking about the status of (machine) art is already framed by the particular encounters we had with art—as individuals and collectively as a group, society and culture.”
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12019-04-17T02:19:45-07:00Nikita Guedj26e5e59f5c86b075d03e3719dbc6b89b70271c8fDifferent-from-before-31How is this composition different from the one before?media/Different-Before-3.mp3plain2019-04-17T02:19:45-07:00Nikita Guedj26e5e59f5c86b075d03e3719dbc6b89b70271c8f