Opening Up Space: A Lovely Technofeminist OpportunityMain MenuSelectionsVisit for Text SelectionsThemesRecurring Ideas throughout the textEditor ReflectionsOn Embodiment and MaterialityA Handy MapPlaces that Intersect at/within this WorkTimelineAmy Lueck557d200a410ce28daf395646ea7883ee44337c9eMeghan Adamsef5f31bc97e10f55dcbb2d5e9f4c0b1674ced7e6Catherine Cunhacc5dc9b7774b6a676a31715e1bbd86b0ae5b91c6McKenzie Mann-Woodc69d4948241c0a4fc69152fa3867f5402153c636Avery Curet6f22f13dd9ba083c16859e6b566856a5c51f220fCarson Nadash7aea0539bbe3d7ece9f384cc1a10b9983f34e173Shreya Ded47ccd6c8c910db6d40f61ef36aeb6f1171b1c0eSarah Marguerite Abbott2b91d1b0347205046f781d8865a38000ebf61eefGabrielle DeSistob2b21606e19d89fce36af03c2217183600be42dbSperry McQuaid9b65baacbd9cf36d32c1c148d04ea14126e0909cSamantha Rusnakb632734dc1931d4a79c24dbc2870e3cdd82d93cdRaquel Gutierrez Valdes9517c9e0110746252391b83230d52ad0925e0a3fNathan Barnes0e719f6a1e610969996849ea375b39e16ac456d5Asha Broetje Bairstowdb9e5329cb3926d8d17e6de07ff6ac4a52f334c4Paige Clement7344d13f5fd016a4a372f60421a4730eb48642b9Elizabeth Conn659f543fa9d4053a4ab7bd6c8815181ad7c026b8Teresa Contino0b2bed8aa9c7a37efb70737c883238f6591a58ceAlyse Greenbaum66447668ccfeebc98ea4f70159518992fe38e088Callie McKennac05905e85e57fd3ec21b6839a5d220e18af2ff7aChloe Wilsonbcfb25fcf34a7a2b68717d2832320d91018d8b17Jessica Joudy3f0e1b6bb5ac4a0dc560f480bebf2ca72a5e08b2Natalie Granito4b673dbf20f535f4981b0f6ce2e5b30621c93c0cBrigid McNally0959955d4f6904c085c10fd9a7cb4fee423e01ef
Wollstonecraft, Chapter 24
1media/Wollstonecraft ch.24 _thumb.png2020-12-07T21:34:33-08:00Chloe Wilsonbcfb25fcf34a7a2b68717d2832320d91018d8b17378231Chapter 24 from Original Storiesplain2020-12-07T21:34:33-08:00Chloe Wilsonbcfb25fcf34a7a2b68717d2832320d91018d8b17
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1media/Untitled_Artwork 2.jpg2020-11-18T21:28:46-08:00Wealth/ Generosity in Wollstonecraft22A main theme in the "Original Stories"plain2020-12-08T22:06:04-08:00
Why This Theme
We have chosen to recognize the themes of wealth and generosity as "together" because Wollstonecraft encompasses the two similarly throughout "Original Stories. She offers perspectives on thinking about the way one spends money and how we can use our wealth to help others in need instead of ourselves. She motivates the idea of being thankful for the wealth that one has because not everyone is as fortunate and therefore we should be generous and help others. Among this idea, we see generosity included in the way one treats others according to ones privilege.
Wollstonecraft and Wealth/Class and Generosity
The theme of wealth and social class appears many times throughout Original Stories. The text follows the narrative of Mrs. Mason, the governess sent to help guide the two wealthy middle-class girls, Mary and Caroline. Mary Wollstonecraft was a strong critique of unequal distribution amongst wealth and privilege, and expressed her concerns of consequences of lack of virtue and moral development as a result of this unequal distribution (Halledenius, 2014). The nature of Mary and Caroline alludes to Wollstonecraft's critical viewpoint of the wealthy middle and upper class as they are portrayed as quite selfish and acting with impulse, implying an aristocratic culture-- "The short-sighted impulse to gratify desires instantly, without reflecting on the consequences"(Moore, 1999). We see Wollstonecraft's position on wealth and privilege evident in Original Stories with Mrs. Mason's teachings for Mary and Caroline. In Chapter twelve, Mrs. Mason overhears Mary say to the maid assisting her, "I wonder at your impertinence, to talk thus to me-- do you know who you are speaking too?"(Wollstonecraft 89). Mrs. Mason corrects Mary's ignorance by reminding her the only reason she is assisted by her maid is because she is weak and that children are inferior to servants, "who act from the dictates of reason, and whose understandings are arrived at some degree of maturity" compared to children who must be assisted and governed till they reach any degree of independence (Wollstonecraft 90).
Wollstonecraft also highlights the extreme division between the lower and middle/upper classes by portraying very vivid pictures of the lifestyle of the lower class likely to strongly critique the class system. Therefore we see the most noticeable feature amongst the setting of the text is the poor (Moore, 1999). The vividness that Wollstonecraft depicts likely comes from memory of what she saw walking through London (Moore, 1999). See below the text from chapter twenty-four depicting the vividness of a family in the lower class.