"The forehead white ... the neck should be white ... the whiteness and delicacy of its skin should ... go on improving to the bosom; the skin in general should be white, properly tinged with red, and a look of thriving health in it ... the arm should be white ... the bosom should be white" (Montez, 21-22).
"The bosom should be white and charming, neither too large nor too small; the breasts equal in roundness and firmness, rising gently, and very distinctly separated ... the sides should be rather long and the hips wider than the shoulders, and go down rounding and lessening gradually to the knee" (Montez, 22).
Similarly, Western ideals and standards of beauty are reinforced through magazines, movies, fashion, and makeup, all illustrating an extremely specific body type to the public. In this image above, although there may be slight variation with regards to skin color, their bodies are all practically identical. Even with the small diversity of skin color, it's within a spectrum: no one is extremely dark or pale. If this image of a woman's body is accepted as the ideal for all women, but it is not attainable for everyone, how then are people supposed to feel confident and beautiful in their own body? The perpetuation of the Western ideal of a woman's body creates an unreachable goal for women in general. Montez is providing an instructional guide for women to reach "ideal womanhood"; however, the issue is not necessarily with the process or steps she provides, but with interpretations of these idealizations themselves and the audience she is directing her work towards. Our society sets women's value and beauty in their physical appearance; however, external traits can be greatly influenced by internal ones. In "The Ladies' and Gentlemen's Etiquette" by Eliza Bisbee Duffey, she believes that "the morally best [are] the most beautiful, [and] the morally worst [are] the most deformed" (