Mapping Indigenous Poetry of North America, 1830-1924

"The Art of Alma-Tadema" by E. Pauline Johnson

There is no song his colours cannot sing,
    For all his art breathes melody, and tunes
The fine, keen beauty that his brushes bring
    To murmuring marbles and to golden Junes. 

The music of those marbles you can hear
    In every crevice, where the deep green stains
Have sunken when the grey days of the year
    Spilled leisurely their warm, incessant rains 
    
That, lingering, forget to leave the ledge,
    But drenched into the seams, amid the hush
Of ages, leaving but the silent pledge
    To waken to the wonder of his brush. 
    
And at the Master's touch the marbles leap
    To life, the creamy onyx and the skins
Of copper-coloured leopards, and the deep,
Cool basins where the whispering water wins 

Reflections from the gold and glowing sun,
And tints from warm, sweet human flesh, for 
    fair 
And subtly lithe and beautiful, leans one—
A goddess with a wealth of tawny hair.

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