Further Reading
Data Critique
References
Buxton, William. Patronizing the Public : American Philanthropy's Transformation of Culture, Communication, and the Humanities. Edited by William Buxton, Lexington Books, 2009.
Davenport, Russell W. “Round Table on Modern Art: Fifteen Distinguished Critics and Connoisseurs Undertake to Clarify the Strange Art of Today.” Life, 1948, 56–79.
Gunn, Elliot. “Where Are All The Women in Modern Art?” Medium, Towards Data Science, 2 Aug. 2019, towardsdatascience.com/where-are-all-the-women-in-modern-art-7c5fd08ea1cd.
Helfgott, Isadora A. Framing the Audience: Art and the Politics of Culture in the United States, 1929-1945. Temple University Press, 2015.
Hemingway, Andrew. Artists on the Left: American Artists and the Communist Movement, 1926-1956. Yale University Press, 2002.
Marquardt, Virginia Hagelstein. “‘New Masses’ and John Reed Club Artists, 1926-1936: Evolution of Ideology, Subject Matter, and Style.” The Journal of Decorative and Propaganda Arts, vol. 12, 1989, pp. 56–75. JSTOR, www.jstor.org/stable/1504057.
“MoMA Exhibition History List: MoMA.” The Museum of Modern Art, www.moma.org/research-and-learning/archives/archives-exhibition-history-list.
“The Museum and the War Effort: Artistic Freedom and Reporting for ‘The Cause.’” The Museum of Modern Art, www.moma.org/calendar/exhibitions/320.
