Micro-Landscapes of the Anthropocene

The Impetus of Non-Living Entities: A comment

The idea that material objects such as furniture can alter humanity’s place in the ecological world is an interesting one. In part II of To the Lighthouse, the narration takes a fascinating turn. As Anne Carson writes in her essay, ‘Every Exit is an Entrance’, “Virginia Woolf’s main narrative [becomes] a catalogue of silent bedrooms, motionless chest of drawers, apples left on the dining room table, the wind prying at a window blind, moonlight gliding on floorboards.” Human action is relegated to short blips at the end of sections, contained within square brackets. In this format, the non-living material objects of the house take on a greater impetus than the living human characters. The ability to affect is transferred from human beings to non-living entities, and moreover, the affected party has become humanity.

Works Cited
Carson, Anne. Every Exit is an Entrance. Decreation, Vintage, 2005, pp. 19-40.

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