Micro-Landscapes of the Anthropocene

Postcard 4- Sophie McGing

This discussion of humans occupying a higher symbolic plane than animals because humans are allegedly made in God’s image as a justification for ill treatment of them strongly correlates to the themes in the Watery World’s close reading of Rime of the Ancient Mariner. In the poem, our introduction to the Albatross is as follows: “At length did cross an Albatross/Thorough the fog it came;/As if it had been a Christian soul/We hailed it in God's name.” Similarly, folklore suggests that the Albatross carries the souls of dead mariners and sailors, and therefore to kill an albatross is akin to killing your fellow seaman. Despite the Albatross being imbued with both human and divine qualities and offering no harm to the ships inhabitants, the Mariner kills the Albatross with his crossbow. In a modern context, we are shocked by the Mariner’s senseless murder of the waterbird. It does not make sense why a human would actively seek to end a life without motive or reason. However, we, as humanity collectively, are implicit in the murder of countless birds, and animal species more generally through our actions, actions inspired by consumerism, materialism and commodification. One only has to examine the image of the dead Albatross with a belly full of plastic to realise the Mariner’s crossbow is not the only weapon humans utilise to end the lives of other species.

- Sophie McGing

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