Micro-Landscapes of the AnthropoceneMain MenuMarginal WorldsPlant WorldsAnimal WorldsAmy Huang, Natasha Stavreski and Rose RzepaWatery WorldsInsect WorldsBird-Atmosphere WorldsContributed by Gemma and MerahExtinctionsMarginal WorldsSam, Zach and AlexE-ConceptsAn emergent vocabulary of eco-concepts for the late AnthropoceneSigi Jöttkandt4115726eb75e75e43252a5cbfc72a780d0304d7d
Peter Sculthorpe - Dreamtracks - The Verdehr Trio
12021-04-14T22:53:39-07:00Sigi Jöttkandt4115726eb75e75e43252a5cbfc72a780d0304d7d309861The Verdehr Trio Composers Series with Peter Sculthrope Featured composer: Peter Sculthorpe - 00:45 - 35:20 “Dreamtracks” - 13:00 Preview of “Baltimore ...plain2021-04-14T22:53:39-07:00YouTube2017-02-12T19:51:35ZBiHd7lzysi0VerdehrTrioSigi Jöttkandt4115726eb75e75e43252a5cbfc72a780d0304d7d
1. Dream Tracks by Peter Sculthorpe After a turbulent and disruptive 2020, the Australian Ensemble 2021 season opened as planned at the Clancy Auditorium on Saturday 10th April. My friend booked me a front row seat, a perfect spot to immerse myself in the Dreaming, amidst the soothing sounds of the piano, violin and clarinet. This piece of music is meditative, and phenomenology came to mind; I closed my eyes, transcended the auditorium and situated myself in the sweeping beauty of Arnhem Land. I was in the good company of many ancient spirits, singing the charming indigenous melody of "whistling duck on a billabong." The following is a long interview with Sculthorpe, but you can fast forward to 13:05 just for the music. It is only 15 minutes long. Aboriginal Traditional Music and Dance – instruments and initiation Symphony in the natural world Strauss Alpine Symphony