Micro-Landscapes of the AnthropoceneMain MenuMarginal WorldsPlant WorldsAnimal WorldsAmy Huang, Natasha Stavreski and Rose RzepaWatery WorldsInsect WorldsBird-Atmosphere WorldsContributed by Gemma and MerahExtinctionsMarginal WorldsSam, Zach and AlexE-ConceptsAn emergent vocabulary of eco-concepts for the late AnthropoceneSigi Jöttkandt4115726eb75e75e43252a5cbfc72a780d0304d7d
The Permeability of the Nonhuman into the Human World
1media/shutterstock_794461549-scaled_thumb.jpg2022-09-25T18:47:10-07:00Sigi Jöttkandt4115726eb75e75e43252a5cbfc72a780d0304d7d309861plain2022-09-25T18:47:11-07:00ShutterstockCopyright (c) 2018 Lightspring/Shutterstock. No use without permission.tide,mood,idea,tree head,psychotherapy,drowning,drown,head,growiShutterstockPsychotherapy,And,Psychology,Help,And,Escape,From,Despair,And,Emotional794461549Sigi Jöttkandt4115726eb75e75e43252a5cbfc72a780d0304d7d
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12022-09-25T18:54:18-07:00The Permeability of the Nonhuman into the Human World6plain2022-11-14T18:24:56-08:00 Adopting an ecological perceptive model unmasks the innate vitality and autonomy of plants as independent entities of the natural world. Traditionally, plants occupy a subversively inferior role - exploited for industrial and capitalistic gain. Yet, in the age of the Anthropocene, the emergence of the posthuman phenomenon ‘plant blindness’ signifies a positive redirection away from anthropocentricism. The image above is visually powerful, representing the interconnectedness of the natural and human world. Interweaving plant worlds, watery worlds and the human world, the image endorses a pluralist ethos that seeks to dismantle an ontological hierarchy and the dichotomy of human and nonhuman. Furthermore, the image renders human growth as one that is interdependent on nonhuman vitality. My selection of this image was acutely inspired by Henry Cuyler Bunner’s poem Heart of the Tree, which focuses on deconstructing human supremacy to highlight the intrinsic value of trees in humanity’s progression. By de-othering trees, Bunner emphasises that plants are highly valuable agents that are mutually beneficial to human life. As such, the image symbolically protests for the equality of nonhuman voices that have been silenced by Judeo-Christian tradition.