Micro-Landscapes of the AnthropoceneMain MenuMarginal WorldsPlant WorldsAnimal WorldsAmy Huang, Natasha Stavreski and Rose RzepaWatery WorldsInsect WorldsBird-Atmosphere WorldsContributed by Gemma and MerahExtinctionsMarginal WorldsSam, Zach and AlexE-ConceptsAn emergent vocabulary of eco-concepts for the late AnthropoceneSigi Jöttkandt4115726eb75e75e43252a5cbfc72a780d0304d7d
Cognitive Dissonance by V Greig
12023-09-20T21:00:15-07:00Sigi Jöttkandt4115726eb75e75e43252a5cbfc72a780d0304d7d309861plain2023-09-20T21:00:16-07:00Sigi Jöttkandt4115726eb75e75e43252a5cbfc72a780d0304d7dThe Flower is full of symbolism, a metaphor for society’s rejection of the unattainable, unfamiliar, beyond everyday understanding - a form of cognitive dissonance. To begin, the golden hour indicates an age of enlightenment, when time aligns with new awareness. The poet, as homodiegetic narrator, proposes to create beauty in the form of a flower but people, as society, initially reject his work as weed, cursing him and his flower. When the flower grows tall, it wears a crown of light. The crown is a symbol of the highest social hierarchy, worn only by the most worthy and light indicative of an epiphany. By stealing the flower’s essence, its seed, the thieves are committing an act of plagiarism, initiating mass production by scattering seed. Afterward, people’s prejudice is transformed to cry splendid is the flower. Society held contradictory values of beauty to the poet, resolved when the unique became commonplace.
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1media/spring-flowers-741965_960_720.jpg2018-08-26T12:22:40-07:00Sigi Jöttkandt4115726eb75e75e43252a5cbfc72a780d0304d7dThe Flower by Alfred Tennyson5By Stephanie Lim (z5113551) and Cale Leishman (z5075676)plain2019-03-15T08:49:37-07:00Sigi Jöttkandt4115726eb75e75e43252a5cbfc72a780d0304d7d