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Marquee Survivals: A Multimodal Historiography of Cinema's Recycled SpacesMain MenuIntroductionMarquee Survivals: A Multimodal Historiography of Cinema's Recycled SpacesIntroduction, StartMarquee Survivals: A Multimodal Historiography of Cinema's Recycled SpacesHistories ConcealedHistories Concealed landing pageProjecting 1943Sense of PachucaBroadway as BackgroundSplash page for Broadway as Background / Background as BroadwayPhoto Essay: Marquee StoriesIntro to photo essay: Marquee StoriesPrototypesExploring project prototypesPortfolioEjected Spectators and Inactive Users: Locating Multimodal Historiography In Repurposed Media SpacesVeronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bc
Video Gallery: Invisibility / Hypervisibility
12015-06-04T00:41:45-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bc34293Click on thumbnails to view clips or view through their linked annotations abovestructured_gallery2015-06-04T00:45:10-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bc
Contents of this tag:
1media/bway-as-bg.jpg2015-05-30T09:45:56-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bcInvisibility / Hypervisibility18Tag for Broadway as Background / Background as Broadwaystructured_gallery2015-06-04T00:44:00-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bc
12015-05-30T10:00:07-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bcSchwarzenegger on Broadway3After his partner’s failed attempt to convince a murder witness to testify against the film’s villain Cullen Crisp, Arnold Schwarzenegger’s John Kimble uses a more aggressive method of persuasion. Kimble inexplicably finds Cindy (the witness) in a seedy club on South Broadway in Downtown Los Angeles.plain2015-05-30T23:18:35-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bc