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Marquee Survivals: A Multimodal Historiography of Cinema's Recycled SpacesMain MenuIntroductionMarquee Survivals: A Multimodal Historiography of Cinema's Recycled SpacesIntroduction, StartMarquee Survivals: A Multimodal Historiography of Cinema's Recycled SpacesHistories ConcealedHistories Concealed landing pageProjecting 1943Sense of PachucaBroadway as BackgroundSplash page for Broadway as Background / Background as BroadwayPhoto Essay: Marquee StoriesIntro to photo essay: Marquee StoriesPrototypesExploring project prototypesPortfolioEjected Spectators and Inactive Users: Locating Multimodal Historiography In Repurposed Media SpacesVeronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bc
FemTechNet MOCC vs. DOCC
12015-06-29T07:29:23-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bc34291FemTechNet MOCC vs. DOCCplain2015-06-29T07:29:23-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bc
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12015-06-29T07:25:22-07:00Portfolio6plain1013172015-06-29T09:00:13-07:00This path explores how involvement with two collective-based technology design projects I have collaborated with has affected my methods and approaches with this project. While their connections to MARQUEE SURVIVALS may not be immediately evident, they represent important shifts in how I understand design and research through collaboration with people, systems -- technological, social and cultural.
