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Marquee Survivals: A Multimodal Historiography of Cinema's Recycled SpacesMain MenuIntroductionMarquee Survivals: A Multimodal Historiography of Cinema's Recycled SpacesIntroduction, StartMarquee Survivals: A Multimodal Historiography of Cinema's Recycled SpacesHistories ConcealedHistories Concealed landing pageProjecting 1943Sense of PachucaBroadway as BackgroundSplash page for Broadway as Background / Background as BroadwayPhoto Essay: Marquee StoriesIntro to photo essay: Marquee StoriesPrototypesExploring project prototypesPortfolioEjected Spectators and Inactive Users: Locating Multimodal Historiography In Repurposed Media SpacesVeronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bc
AR experiment documentation, long shot (2013)
12015-06-05T12:53:50-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bc34292Passing out project cardsplain2015-06-05T12:54:45-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bc
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12015-06-06T14:51:22-07:00Prototype 2: Augmenting through gestures8Prototype 2 continuedplain2015-06-10T07:04:51-07:00 As research into how these performative gestures of selling function, I handed out cards distributing information about my project and eliciting potential oral histories with the same materials. The act of handing out cards tested the boundaries that are supposed to separate the practices of research, performance, and social interaction, as well as what keeps the spheres of professional scholarly inquiry and consumerism separate.
