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Marquee Survivals: A Multimodal Historiography of Cinema's Recycled SpacesMain MenuIntroductionMarquee Survivals: A Multimodal Historiography of Cinema's Recycled SpacesIntroduction, StartMarquee Survivals: A Multimodal Historiography of Cinema's Recycled SpacesHistories ConcealedHistories Concealed landing pageProjecting 1943Sense of PachucaBroadway as BackgroundSplash page for Broadway as Background / Background as BroadwayPhoto Essay: Marquee StoriesIntro to photo essay: Marquee StoriesPrototypesExploring project prototypesPortfolioEjected Spectators and Inactive Users: Locating Multimodal Historiography In Repurposed Media SpacesVeronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bc
Marquee Survivals: American Me
12015-06-10T12:13:37-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bc34291This short video essay is a part of Marquee Survivals: A Multimodal Historiography of Cinema's Recycled Spaces.plain2015-06-10T12:13:37-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bc
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12015-06-10T16:01:08-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bcVideo Gallery: Sense of PachucaVeronica Paredes2Video Gallery Sense of Pachuca essaysstructured_gallery2015-06-10T16:02:52-07:00Veronica Paredesf39d262eb7e9d13906fe972f3e5494dbae1896bc
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1media/sense-eyes4.jpg2015-06-10T12:12:40-07:00American Me video essay3American Me video essayplain2015-06-10T12:14:31-07:00 This contribution to the “Sense of Pachuca” video series confronts how American Me (1992, dir. Edward James Olmos) depicts the Zoot Suit Riots as the historical context for Montoya Santana’s story of gang life. Written about by Rosa Linda Fregoso, the film posits the Chicana as the potential savior, but also the malinche whose violation condemn Chicanos for generations.