Marquee Survivals: A Multimodal Historiography of Cinema's Recycled Spaces

Bringing Back Broadway

To return to unpacking Broadway as a signifier of a particular mode of American entertainment, the name seemingly avoids racialization just as it evades fragmentation into niche (aka ethnic) audiences; it does this by harkening back to an earlier moment in American history when mainstream appeal was still possible. It is an association with this kind of Broadway that a city initiative in Los Angeles wants to “bring back.”

City councilmember Jose Huizar launched Bringing Back Broadway, a “ten year vision,” in January 2008. The initiative promised to “revitalize the corridor, activate the theaters” and usher in a streetcar system by 2014. Restorative nostalgia characterizes the visual rhetoric the initiative’s campaign used primarily to convince the voting residents of Downtown Los Angeles of what the street could (or did) look like. This is in great contrast to what it looks like now, and has looked like for the past forty years or so. What sense of place is Bringing Back Broadway attempting to preserve? Its projections of the American dream of a “real downtown” are meant to replace the vernacular streetscapes and economies that once thrived in Downtown Los Angeles, and in so doing preserved the city’s structures from the beginning of the twentieth century to the present. The district’s city boosters conveniently ignore this legacy.

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