Marquee Survivals: A Multimodal Historiography of Cinema's Recycled Spaces Main Menu Introduction Marquee Survivals: A Multimodal Historiography of Cinema's Recycled Spaces Introduction, Start Marquee Survivals: A Multimodal Historiography of Cinema's Recycled Spaces Histories Concealed Histories Concealed landing page Projecting 1943 Sense of Pachuca Broadway as Background Splash page for Broadway as Background / Background as Broadway Photo Essay: Marquee Stories Intro to photo essay: Marquee Stories Prototypes Exploring project prototypes Portfolio Ejected Spectators and Inactive Users: Locating Multimodal Historiography In Repurposed Media Spaces

Bibliography for Broadway as Background

3429 Photo Essay: Marquee Stories Intro to photo essay: Marquee Stories

Agrasanchez, Jr, Rogelio. Mexican Movies in the United States: A History of the Films, Theaters and Audiences, 1920-1960. Jefferson: McFarland & Co Inc., 2011.

Arbeláez, María S. “Low-Budget Films for Fronterizos and Mexican Migrants in the United States.” Journal of the Southwest 43, no. 4 (Winter 2001): 637–57.

Bartolomé, Lilia I. “Literacy as Comida: Learning to Read with Mexican Novelas.” In Words Were All We Had: Becoming Biliterate Against the Odds, 49–59. New York: Teachers College Press, 2011.

Campbell, Bruce. Viva La Historieta: Mexican Comics, NAFTA, and the Politics of Globalization. University Press of Mississippi, 2009.

Corral, Eduardo C. “Variation on a Theme by José Montoya.” In Slow Lightning, 33–41. Yale Series of Younger Poets. New Haven: Yale University Press, 2012.

Ethington, Philip J. “Ghost Neighborhoods: Space, Time, and Alienation in Los Angeles.” In Looking for Los Angeles: Architecture, Film, Photography, and the Urban Landscape, edited by Charles G. Salas and Michael S. Roth. Los Angeles: Getty Research Institute, 2001.

Fojas, Camilla. “Urban Frontiers: Border Cinema and the Global City.” In Border Bandits: Hollywood on the Southern Frontier, 145–81. Austin: University of Texas Press, 2008.

Fregoso, Rosa Linda. “Ghosts of a Mexican Past.” In meXicana Encounters: The Making of Social Identities on the Borderlands, 148–68. University of California Press, 2003.

Fugikawa, Laura Sachiko. “Shifting the Gaze: Gender and Resilience in The Exiles.” American Quarterly 67, no. 1 (March 2015): 1–24 (online article). doi:10.1353/aq.2015.0009.

García, Ramón. Ricardo Valverde. A Ver: Versioning Art History. Los Angeles: UCLA Chicano Studies Research Center Press, 2013.

Gaspar de Alba, Alicia. “Catalog: Redefining American Art.” In Chicano Art Inside/Outside the Master’s House: Cultural Politics and the CARA Exhibition, 334–35. Austin: University of Texas Pr., 1998.

Gonzalez, Rita, Howard N. Fox, and Chon A. Noriega, eds. Phatom Sightings: Art After the Chicano Movement. Los Angeles: University of California Press and Los Angeles County Museum of Art, 2008.

González, Rita, Ramon García, and C. Ondine Chavoya. “A.L.A.R.M.A.’s Manifest(o) Destiny.” Wide Angle 20, no. 3 (1998): 79–83.

James, David E. “No Movies: Projecting the Real by Rejecting the Reel.” In Asco: Elite of the Obscure, A Retrospective, 1972-1987, edited by C. Ondine Chavoya and Rita Gonzalez, 180. Germany: Hatje Cantz Verlag, 2011.

Lipsitz, George. “As Unmarked as Their Place in History: Genre Anxiety and Race in Seventies Cinema.” In American Studies in a Moment of Danger, 185–210. Minneapolis: University of Minnesota Press, 2001.

Museum of Latin American Art, Long Beach, ed. “Selected Plates from the Exhibition.” In MEX/L.A.: “Mexican” Modernism(s) in Los Angeles, 1930-1985, 166. Germany: Hatje Cantz Verlag, 2011.

Noriega, Chon A. “Foreword.” In Ricardo Valverde, by Ramón García, viii. Los Angeles: UCLA Chicano Studies Research Center Press, 2013.

Ondine, Chavoya. “Social Unwest: An Interview with Harry Gamboa, Jr.” Wide Angle 20, no. 3 (1998): 55–78. https://muse-jhu-edu.libproxy.usc.edu/journals/wide_angle/v020/20.3chavoya.html.

Ondine, Chavoya and Rita Gonzalez, eds. Asco: Elite of the Obscure, A Retrospective, 1972-1987. Germany: Hatje Cantz Verlag, 2011.

Rosales, Arturo F. “In Defense of México Lindo.” In Chicano! The History of the Mexican American Civil Rights Movement, 55–71. Arte Publico Press, 1996.

Rubenstein, Anne. Bad Language, Naked Ladies, and Other Threats to the Nation: A Political History of Comic Books in Mexico. Durham: Duke University Press, 1998.

Saldívar, José David. “Cultural Theory in the U.S.-Mexico Borderlands.” In Border Matters: Remapping American Cultural Studies, 17–35. Los Angeles: University of California Press, 1997.

James, David E. The Most Typical Avant-Garde: History and Geography of Minor Cinemas in Los Angeles. University of California Press, 2005.

Zilberg, Elana. “Falling Down in El Norte: A Cultural Politics & Spatial Poetics of the ReLatinization of Los Angeles.” Wide Angle 20, no. 3 (1998): 183–209. http://muse.jhu.edu/journals/wide_angle/v020/20.3zilberg.html.

 

Films 

Delgado, Miguel M. México de Mi Corazón. Alter Films, 1963.

Holdridge, Alex. In Search of a Midnight Kiss. IFC Films, 2007.

Leonard, Brett. Virtuosity. Paramount, 1995.

Lynch, David. Mulholland Drive. Universal Pictures, 2001.

Mackenzie, Kent. The Exiles. The Criterion Collection, 1961.

Nava, Gregory. El Norte. The Criterion Collection, 1983.

Olmos, Edward James. American Me. Warner Home Video, 1992.

Ortega, Gonzalo Martínez. Del Otro Lado Del Puente. Producciones del Rey, S.A., 1980.

Reitman, Ivan. Kindergarten Cop. Universal Home Entertainment, 1990.

Scott, Ridley. Blade Runner. Universal Home Entertainment, 1982.

Silberling, Brad. City of Angels. Warner Home Video, 1998.

Spielberg, Steven. 1941. Universal Home Entertainment, 1979.

Valdez, Luis. Zoot Suit. Universal Pictures, 1981.

Webb, Marc. (500) Days of Summer. 20th Century Fox, 2009.

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