Living Otherwise: Buddhist Photography on the New Silk Road

Tian Lin's Images

When we look at Tian Lin’s images of Uyghur migrant settlements, in a formal sense, we see bodies interact with homes that they had cobbled together by hand. Migrant children framed by asymmetrical windows men and women standing on stacks of stones that had been gathered to buttress houses made of mud on the steep hillsides. We see people sorting through rubble; children playing with recycled toys and feral cats. The images show us people who are connected to the landscape around them. 

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