Káma-Kapúska! Making Marks in Indian Country, 1833–34Main MenuScholarly ArticleWied-Neuwied’s Journal PagesA Sample ExhibitionNumak'aki Persons and ThemesProject NarrativeSourcesKristine K. Ronan866e3f0d78e6d37c93d7b8ddc8a882dd7a5e8029
Prince Maximilian zu Wied-Neuwied, Manuscript Journal of Prince Maximilian’s Travels in North America, parts 15–29, vol. 3, 1833–34, p. 139.
12019-10-28T11:39:01-07:00Kristine K. Ronan866e3f0d78e6d37c93d7b8ddc8a882dd7a5e8029329742Prince Maximilian zu Wied-Neuwied, Manuscript Journal of Prince Maximilian’s Travels in North America, parts 15–29, vol. 3, 1833–34, p. 139. Ink on paper. Joslyn Art Museum, Omaha. Gift of the Enron Art Foundation, 511.NNG. Image courtesy of Joslyn Art Museum.plain2020-11-29T04:02:14-08:00Kristine K. Ronan866e3f0d78e6d37c93d7b8ddc8a882dd7a5e8029
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12019-10-28T11:39:01-07:0017 January 18341journal pageplain2019-10-28T11:39:01-07:0017 January 1834
Mató-Tópe, whose portrait was supposed to be drawn, first painted himself in front of the mirror, probably for two hours, [in] highly original reddish brown, red, and yellow [colors] , as described above. He sat [for the portrait] quite motionless, his battle-axe in his hand.
